Complete Piano Sonatas, Volume I 钢琴 奏鸣曲 骑熊士版

钢琴奏鸣曲被认为是亚历山大-斯克里亚宾创作的核心作品。继贝多芬之后，没有其他作曲家能如此彻底地重塑这一体裁，从而重振奏鸣曲的传统。斯克里亚宾不仅希望延续现有传统，而且希望超越现有传统，这一点早在他的第一首奏鸣曲中就已显露无遗。从钢琴家的角度来看，这些作品表现力丰富，想象力充沛，令人振奋。在第三首奏鸣曲之前，斯克里亚宾对结构的连贯性和循环的统一性有了独特的感受，同时也透露出诗意的特质"

作曲家: Skrjabin, Aleksandr
校订者: Flamm, Christoph
乐器: piano 钢琴
出版社: Bärenreiter 骑熊士(小熊版)
原文简介:
The piano sonatas are regarded as the central works of Alexander Skrjabin’s compositional output. No other composer after Beethoven reshaped this genre so radically, thereby reinvigorating the tradition of the sonata. Skrjabin’s desire not simply to continue the existing tradition, but to surpass it, is evident as early as his first sonatas. These are exciting works from the pianist’s perspective and in their abundance of expression and wealth of imagination. Up to the third sonata Skrjabin developed a distinctive feeling for structural coherence and cyclical unity which at the same time revealed poetic qualities.

This volume contains the earlier works; sonatas officially published during the composer’s lifetime as No. 1 op. 6, No. 2 (Sonate-Fantaisie) op. 19 and No. 3 op. 23 as well as the sonatas written during his youth, in G-sharp minor (1886) and E-flat minor (1887-89). The edition also includes the virtually unknown fragment of a sonata in C-sharp minor (1887) and the reconstructed parts of a sonata in G-sharp minor (1892) never previously published.

The editor Christoph Flamm draws on autograph manuscripts, first printed editions and on Russian editions of the 1920s. For the first time the recordings of Sonatas nos. 2 and 3 which Skrjabin made in 1908 on paper rolls for the Hupfeld company, Leipzig are also taken into account.

- Urtext edition reflecting the latest scholarship and taking previously unknown sources into account

- Includes all fragmentary works, some published for the first time

- Detailed foreword Ger/Eng) and critical commentary (Eng)