Choralvorspiele, Band 1 op. 34, 1-67 合唱 骑熊士版

卡尔-皮乌蒂（1846-1902 年）是莱比锡音乐学院的教师和莱比锡圣托马斯教堂的管风琴师。他创作了许多晚期浪漫主义风格的管风琴作品，包括《二百首管风琴合唱前奏曲》（作品 34）。这些管风琴前奏曲是 19 世纪末最常被听到的礼仪管风琴音乐之一。它们融合了合唱曲的阐述、旋律的具象化、引人注目的和声、托卡塔式的精湛技艺和模仿，其本身绝不是目的，而是始终服从于基本赞美诗曲调的精髓"

作曲家: Piutti, Carl
校订者: Weyer, Martin
乐器: organ 管风琴
出版社: Bärenreiter 骑熊士(小熊版)
难度: 3
原文简介:
Carl Piutti (1846–1902) was a teacher at the Leipzig Conservatory and an organist at St. Thomas ’s in Leipzig . He wrote many organ pieces in a late-romantic vein, including Two Hundred Chorale Preludes for Organ, op. 34. These organ preludes were among the most frequently heard liturgical organ music of the late 19th century. Their mixture of chorale elaboration, melodic figuration, striking harmony, toccata-like virtuosity and imitation was never an end in itself, but always subservient to the essence of the underlying hymn tunes.

Influences from Mendelssohn are evident in the melodic writing.

In a preface to the first edition the composer himself claimed: “The pieces in this collection are all written for worship in church. With few exceptions they can be used equally well as preludes or postludes. If the short ones are suitable only as plain introductions to congregational singing, the longer ones will find their places as postludes or festive preludes.

Most of the pieces are easy to play; none of them are truly difficult; a trained organist will be able to play many of them at sight after having skimmed the page.”

Unlike the first edition, the keys in this projected three-volume series have been adapted to conform with the Lutheran Hymnal and the Gotteslob .

- A treasure trove of romantic chorale preludes

- Keys conform to the Lutheran Hymnal and “ Gotteslob ”