Symphonie Nr. 9 马勒．古斯塔夫 交响曲 总谱 环球版

第九交响曲》的大型形式在许多方面都不同寻常。它与著名前辈的第九交响曲完全不同。两个慢板乐章--开头的安达特-comodo和结尾的Adagio--构成了马勒所写的两个最具戏谑性和愤懑性的内部乐章的框架--一个是ländler-waltz组合，另一个是 "Rondo-Burleske"，一个苦涩、讽刺的乐章，被揶揄地献给 "我在阿波罗的兄弟们"。马勒最后完成的交响曲中最特别的部分无疑是慢板终曲--长达 20 分钟的激烈歌唱乐章充满冲突，其中以慢动作的形式引用了马勒早期的作品（《Urlicht》、《Ablösung im Sommer》、《第三交响曲》中的《Scherzo》、《大地之歌》中的《Der Abschied》以及《童谣》中的《Oft denk' ich, sie sind nur ausgegangen》）；这的确像是一个圆圈的终结。(莱因霍尔德-库比克）通用版继续其新的学习乐谱标准。这些完全重新设计的乐谱让人对近百年来的音乐有了无与伦比的了解。我们为这次音乐史之旅精心挑选了最好的可用内容，每张乐谱都按照最新的质量标准进行了编辑"

作曲家: Mahler, Gustav
编者: Ratz, Erwin
乐器: for orchestra
出版社: Universal Edition
原文简介:
The large-scale form of Symphony No. 9 is unusual in a number of ways. It reminds in no way of the ninth symphonies of famous predecessors. Two slow movements, an Andante comodo at the beginning and an Adagio at the end, form the frame for two of the most parodistic and embittered inner movements that Mahler ever wrote - a ländler-waltz combination, and the 'Rondo-Burleske', a bitter, ironic movement that is derisively dedicated 'to my brothers in Apollo'. The most extraordinary part of Mahler's last completed symphony must certainly be the slow finale - a 20-minute long intensively singing movement laden with conflict that includes references to earlier works by Mahler, in slow motion as it were (Urlicht, Ablösung im Sommer, the Scherzo of Symphony No. 3, Der Abschied from Das Lied von der Erde, and Oft denk' ich, sie sind nur ausgegangen from the Kindertotenlieder); it indeed seems that a circle is being closed. (Reinhold Kubik) Universal Edition continues its new study score standard. These completely redesigned scores offer an unparalleled insight into the music of the last hundred years. Great care has been taken to select the best available content for this journey through music history, and every score has been edited according to the latest quality standards.