String Trio E Flat Major K.563 莫扎特 弦乐三重奏 亨乐版
许多专家和爱好者都认为莫扎特的降 E 大调弦乐三重奏 K. 563 是他最杰出的作品之一。这部杰作于 1788 年 9 月 27 日作为 "嬉游曲 "收录在莫扎特自己的作品目录中，它给 Urtext 的编辑带来了巨大的挑战。亲笔手稿从那时起就丢失了，也没有其他一流的原始文本。最可靠的数据源是莫扎特逝世两个月后出版的第一版，尽管显然不够精确。然而，遗憾的是，许多二十世纪的版本都重印了布雷特科普夫与哈特尔的所谓 "旧版合集"（Alte Gesamtausgabe）的音乐文本，而该版本的编辑者正是小提琴家约瑟夫-约阿希姆（Joseph Joachim），他依据的是错误的副本，因此完全是讹误。即使是 "Neue Mozart-Ausgabe"（新莫扎特版）也并非没有错误。亨勒版基本上沿用了第一版，但在批判性评注中描述了大量的修正干预。该版本的附录介绍了 G 大调弦乐三重奏乐章的残存片段，K. Anh. 66 (562e). 遗憾的是，莫扎特从未完成这首同样美妙的乐曲。这首乐曲稍稍超出了乐曲的展开部分，因此可以作为一首简短的安可曲。这三个独立的部分为阅读和演奏提供了最佳的流畅性，这要归功于其布局中巧妙的注释分配，例如各种折迭表格和留白的个别页面。学习版（HN 9625）可单独购买，它提供了本版各声部的完整乐谱"
作曲家: Wolfgang Amadeus Mozart
校订者: Wolf-Dieter Seiffert
乐器: String Trio
出版社: Henle Urtext Edition
曲目:
Mozart: Divertimento E flat major KV 563
Mozart: String Trio (Fragment) G major KV Anh. 66 (562e)
原文简介:
More than a few experts and aficionados count Mozart's string trio in E flat Major K. 563 among his most magnificent compositions. This masterwork, entered into Mozart's own catalog of works September 27th, 1788 as a “Divertimento,” presents the Urtext editor with great challenges. The autograph manuscript has been lost since that time, and no other first-rate source texts exist. The most reliable, albeit clearly imprecise, source is the first edition, published two months after Mozart's death. Many twentieth-century editions, however, unfortunately reprinted the musical text of Breitkopf & Hartel's so-called “Alte Gesamtausgabe” (Old Collected Edition), which was edited by none other than the violinist Joseph Joachim on the basis of incorrect copies and is therefore completely corrupt. Even the “Neue Mozart-Ausgabe” (New Mozart Edition) is not error-free. The Henle edition essentially follows the first edition, though aided by numerous corrective interventions, described in the Critical Commentary. The edition's Appendix presents the surviving fragment of the string trio movement in G Major, K. Anh. 66 (562e). How unfortunate that Mozart never completed this equally wonderful music, which continues a little beyond the exposition and thus may quite aptly serve as a short encore. The three individual parts offer optimal flow for reading and playing thanks to the artful apportioning of notes in their layout, including, for instance, various foldout tables and individual pages left blank. The study edition (HN 9625), available separately, provides the full score to this edition of the parts.