String Quartets Op. 12 and 13 弦乐四重奏 亨乐版

弦乐四重奏一般被认为是古典时期的室内乐体裁：由海登发明，海登和莫扎特加以发展，贝多芬将其推向创作高峰。后来的所有四重奏作曲家都必须以这三位大师的作品为标准来衡量自己。这首先适用于门德尔松，他一直被称为 "古典浪漫派"。他的 A 小调四重奏作品 尤其是他的 A 小调四重奏作品 13，据说具有强烈的贝多芬风格特征。它创作于 1827 年夏末秋初，贝多芬的晚期四重奏刚刚问世不久，门德尔松无疑对这些作品非常熟悉。降 E 大调四重奏作品 12 是两年后的作品。降 E 大调四重奏作品 12 是两年后门德尔松首次巡演英国期间创作的。这两首四重奏文字完全相同的乐谱出版于 Henle 的研究乐谱系列（HN 9270）"

作曲家: Felix Mendelssohn
校订者: Ernst Herttrich
乐器: String Quartet
出版社: Henle Urtext Edition

曲目:
Mendelssohn Bartholdy: String Quartet a minor op. 13
Mendelssohn Bartholdy: Appendix: Song 'Frage' op. 9,1
Mendelssohn Bartholdy: String Quartet E flat major op. 12

原文简介:
The string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in A minor op. 13 in particular is said to have strong Beethovenian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven's late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat major op. 12 was written two years later, during Mendelssohn's first tour of England. A textually identical score of the two quartets is published in Henle's Study Score series (HN 9270).