Sonata in vier Parts for Violin and Violoncello 拉威尔摩利斯 奏鸣曲 小提琴 大提琴 骑熊士版

1920年，莫里斯-拉威尔应其出版商杜兰德之邀，为《音乐杂志》的克劳德-德彪西专刊撰稿。增刊中收录了拉威尔奏鸣曲的第一乐章，以及德彪西的朋友斯特拉文斯基、萨蒂、杜卡斯、巴托克和德法拉等人的作品。这首拉威尔奏鸣曲的第一乐章（其亲笔签名已遗失）随后发展成为一部大型的四乐章室内乐作品，其中使用的现代音乐词汇几乎超过了拉威尔的任何其他作品"

作曲家: Ravel, Maurice
校订者: Woodfull-Harris, Douglas
乐器: for Violin and Violoncello
出版社: Bärenreiter 骑熊士(小熊版)
难度: 4
原文简介:
In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of "La Revue Musicale" dedicated to Claude Debussy. A supplement included the first movement of Ravel’s Sonata as well as works contributed by Debussy’s friends Stravinsky, Satie, Dukas, Bartok and de Falla to name only a few. This 1st movement of Ravel’s Sonata, of which the autograph is lost, then developed into a large scale four movement chamber music work utilizing a more modern music vocabulary than found in almost any other Ravel composition.

Bärenreiter’s scholarly-critical edition, the first ever of this masterpiece, presents the work in two performing scores. It contains an introduction on the history of the work reflecting Ravel’s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal. Sources for this new edition include the engraved copy, the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal. Included in the appendix are the original fingerings by the performers which are not found in the first edition. They reflect how Ravel must have heard the work in rehearsals and as such are a document of early 20th century performance practice.

- First Urtext edition of this work

- Two performing scores (format 25,5 x 32,5 cm)

- The violoncello part does not allow for page turns in the first movement; therefore the edition includes an additional violoncello part in small print presenting the entire first movement on a double page without a page turn

- Informative introduction to the genesis of the work (Ger/Eng/Fr)

- Critical commentary with facsimiles and appendices