Detto II for Violoncello and Chamber Ensemble Study Score 古拜杜莉娜 大提琴

为大提琴和室内乐团而作的 "Detto II "是 1972 年为俄罗斯大提琴家纳塔利娅-沙乔夫斯卡娅（Natalia Schachovskaya）而作。单乐章作品名称中的意大利语 "Detto"（"所说的"）指的是音乐的叙事性。作品的特殊表现力主要由独奏乐器演奏的四分音符滑音决定。在创作过程中，乐曲从最初的沉思静止发展到中段的戏剧性冲动。最后，作品在沉思的平静中结束。这种构思与大提琴独奏旋律音阶从四分之一音阶逐渐扩展到几个八度音阶，然后再回到四分之一音阶的想法相吻合。这样的作曲设计为作品增添了波浪般的动感。"此外，《Detto II》中丰富多彩的打击乐器的使用也十分引人注目。尤其有趣的是尾声的音效消解，大提琴的主题几乎消失得无影无踪，长笛、钢片琴、电光琴、羊角琴和高弦乐插入了ppp"

作曲家: Sofia Gubaidulina
乐器: Cello; Chamber Ensemble
出版社: Sikorski
原文简介:
“Detto II” for violoncello and chamber ensemble was composed in 1972 for the Russian cellist Natalia Schachovskaya. The Italian word “Detto” (“that which is said”) in the title of the one-movement work refers to the narrative character of the music. The special expressive quality of the work is essentially determined by the quarter-tone glissandi played on the solo instrument. During the course of the composition, there is a development of initially meditative stasis leading to a dramatically impulsive middle section. Finally, the work concludes in contemplative peace. This conception corresponds to the idea of a gradual expansion of the melodic steps in the solo violoncello from quarter-tones to several octaves and back again to quarter-tones. Such a compositional design lends the work a wavelike dynamic. “Detto II” is also striking for its colourful use of the richly endowed percussion apparatus. Especially interesting is the sonic dissolution of the coda in which the violoncello theme dies away almost to the point of inaudibility, with ppp inserts by the flute, celesta, glockenspiel, crotales and high strings.