Symphony: 'Vigil' Third Part of the Orchestral Triptych Triduum 麦克米伦．詹姆士 交响曲 管弦乐团 总谱 博浩版

交响曲：'守夜'（1997 年）是伦敦交响乐团委托创作的三部相互关联的作品中的最后一部。这三部作品都与复活节的历史事件和宗教仪式有关，即濯足节、耶稣受难日和复活节晚祷。交响曲的第一乐章 "光 "描绘了黑暗中的一线曙光。中央乐章 "吹响救赎的号角"（Tuba insonet salutaris）取材于复活节守夜时吟唱的 "赞美诗"（Exsultet）旋律，莫扎特称其可能是有史以来最优美的作品。最后一个乐章'水'以野蛮的方式开场，但随着两种相互冲突的主要素材的呈现而逐渐平息--狂野、狂喜的舞蹈，紧接着是缓慢、神秘的旋律，最后达到高潮，并以光亮、漂浮的方式结束"

作曲家: MacMillan, James
乐器: orchestra
出版社: Boosey & Hawkes

曲目:
Composer's note - Anmerkung des Komponisten - Note du compositeur - InstrumentationSymphony: 'Vigil'Light - Tuba insonet salutaris - Water

原文简介:
Symphony: ‘Vigil’ (1997) is the last of three interrelated works forming Triduum, commissioned by the London Symphony Orchestra, the other works being The World’s Ransoming, for cor anglais and orchestra, and the Cello Concerto (both 1996). All three relate to the historical events and religious liturgies of the Easter Triduum, namely Maundy Thursday, Good Friday and the Easter Vigil. The symphony’s first movement, ‘Light’, deals with the promise of a glimmer of light in the darkness. The central movement, ‘Tuba insonet salutaris’ (Sound the trumpet of salvation), is based on the Exsultet melody sung at the Easter Vigil, described by Mozart as probably the most beautiful ever written. The final movement, ‘Water’, opens savagely but subsides towards the presentation of two conflicting principal materials – a wild, ecstatic dance followed by a slower, more mysterious texture, leading to a climax and a luminous, floating close.