Symphony No. 8 The Journey 劳塔瓦拉 交响曲 总谱 芬尼卡·盖尔曼版

米兰-昆德拉认为，交响乐是一次穿越世界的旅行，穿越千变万化的风景。劳塔瓦拉认为，交响乐也可以是人类的生命之旅。第 8 号交响曲的标题 "旅程 "也是有具体原因的；在劳塔瓦拉的歌剧《托马斯》中，第三乐章慢板中的一个主题唱道："旅程在继续......这是谁的旅程？- 是谁的旅程？......超越时间？.... 交响曲（1999 年）分为四个乐章。第一乐章平和，以长音进行。该交响曲受费城交响乐团委托创作，因此劳塔瓦拉得以将第二乐章谱写成极为精湛、技术要求极高的回旋曲。第三乐章是一段缓慢而富有诗意的插曲，以 "标志性 "动机开始和结束。终曲是一条宽阔的小溪。艾诺朱哈尼-劳塔瓦拉的大型作品几乎总是以沉默结束。据作曲家说，第 8 交响曲还是希望以 "强音"（fortissimo）--"宏大"（con grandezza）结束

作曲家: Rautavaara, Einojuhani
乐器: orchestra
出版社: Fennica Gehrman
原文简介:
According to Milan Kundera, symphonic music is a journey through the world, through ever-changing landscapes. It can, according to Rautavaara, also be a journey through human life. The title of the 8th symphony, The Journey, also had a concrete reason; one of the motifs in the third, slow movement is sung in Rautavaara's opera Thomas to the words This journey goes on... whose is it? – Of one who wanders from the end of the journey? ...beyond time?.... The symphony (1999) is in four movements. The first is peaceful, proceeding in long sweeps. The symphony having been commissioned by the Philadelphia Orchestra, Rautavaara was able to make the second movement an extremely virtuosic, technically demanding scherzo. The third movement is a slow, poetic episode beginning and ending with the 'signature' motif. The finale is a broad stream. Einojuhani Rautavaara's large-scale works have almost always ended in silence. According to the composer, the 8th symphony nevertheless wanted to end fortissimo – con grandezza.