Sur le même accord Nocturne for Violin and Orchestra 迪悌耶 夜曲小提琴管弦乐团 总谱 朔特版

Sur le même accord》（《关于一个和弦》）正如其副标题所示，是一部夜曲式的作品。虽然是一个乐章，但其中心是两个富有表现力的乐段，这两个乐段交替出现，节奏较快。无论是在独奏部分还是在管弦乐的织体中，整部作品都能听到一个六音和弦，它或隐蔽，或更明显地由管弦乐中的独奏者演奏。作品开始时，独奏小提琴首先以单音的形式宣布这六个音，然后是双音终止；随后，不同的乐器组将这一材料垂直分布（以和弦的形式演奏）。这部相对较短的作品是献给安妮-索菲-穆特的，大约 15 年前，我在保罗-萨谢尔的介绍下认识了她。从那时起，这位令众多作曲家为之倾倒的伟大艺术家就不断为自己的曲目增添当代音乐，委托当代作曲家创作许多不同类型的新作品

作曲家: Dutilleux, Henri
乐器: violin and orchestra
出版社: Schott Music
原文简介:
Sur le même accord (about a single chord) is - as the subtitle suggests - a nocturne-like work. Although in one mouvement, at its centre are two expressive sections, which alternate with more rapid writing. The soloist plays a concertante role with the orchestra.In both the solo part and the orchestral texture, a six-note chord can be heard throughout the work, either concealed or more overtly, given to soloists drawn from the orchestra. At the start of the work, the solo violin announces these six pitches, first as a monody, then double-stopped; this material is then distributed vertically (played as a chord) by various instrumental groups. Mirror writing and different orchestral colours transform this chord, but it is omnipresent, an obsession.This relatively short work is dedicated to Anne-Sophie Mutter, to whom I was introduced by Paul Sacher about fifteen years ago. Since then, this great artist, who captivates so many composers, has unceasingly added to her repertoire music of our time by commissioning new works in many genres from contemporary composers.- Henry Dutilleux