Sinfonia N. 6 New Version 1994 亨采 交响曲 总谱 朔特版

第六交响曲》创作于 20 世纪 60 年代末，1969 年 11 月 26 日由古巴国家交响乐团在哈瓦那首演。1969年11月26日，在我的指挥下，古巴国家交响乐团在哈瓦那首次演出。这部交响曲不仅反映了那些年觉醒的激动气氛，也反映了我努力将当时经历的大量新的人文和艺术刺激纳入作品的过程。因此，班卓琴开始演奏一首越南自由之歌（《黑夜中的星星》），随后又响起米基思-西奥多拉基思的自由赞歌的第一小节。在原版中，交响曲的三个部分不间断地融合在一起。在修订版中，我将它们分开，以便听众更容易捕捉到就内容而言也是内部起承转合的起承转合。 除了加强弦乐的音色外，与第一版相比，最重要的变化是我完全谱写了所有的无伴奏段落和音高。因此，我想把它们从偶然性和不确定性的领域中解放出来，重新置于我的艺术控制之下

作曲家: Henze, Hans Werner
乐器: 2 orchestra
出版社: Schott Music
原文简介:
Symphony No. 6 was created in the late 1960s, and was first performed in Havana on 26. November 1969 by the Cuban National Orchestra under my direction. This symphony reflects not only the excited atmosphere of awakening during those years but also my efforts to include in the composition the large number of new human and artistic stimuli that I experienced at that time. So the banjo starts to play a Vietnamese song of freedom (Stars in the Night), later the first bars of Mikis Theodorakis hymn of freedom is heard.The second movement is based on the poem Fe de erratas (errata sheet) by Miguel Barnet. In the original version, the three parts of the symphony merge without interruption. In the revised version, I separated them to make it easier for the audience to register the caesuras which are also internal caesuras as regards content. Apart from strengthening the string sound, the most significant alternation in comparison to the first version is that I fully composed all of the aleatoric passages and pitches which originally were to be freely improvised as was the fashion at that time. Thus I wanted to free them the realm of chance and indeterminacy and to bring them back into my artistic control.- Hans Werner Henze