Pierrot lunaire op. 21 Dreimal sieben Gedichte 荀贝格 总谱 环球版

皮耶罗的新月》标志着勋伯格表现主义时期的高潮，他将这一时期的精髓描述为放弃调性中心和系统关系，取而代之的是他后来发展的十二音调方法及其十二音原则。从 1907/1908 年开始，摒弃调性和 "解放不和谐 "使他对形式和音乐表现力的理解发生了根本性的变化： 我正在无条件地接近一种新的表达方式--我能感觉到。现在的声音几乎变成了感性和理性情感的兽性直接表达--几乎就像一切都被直接传播了一样。(日记，1912 年 3 月）"

作曲家: Schoenberg, Arnold
乐器: for speaker and 5 instrumentalists
出版社: Universal Edition
原文简介:
Pierrot lunaire marks the high point of Schoenberg's expressionistic period, the essence of which he described as renouncing tonal centers and systematic relationships, replacing them with the twelve-tone method he was later to develop, with its dodecaphonic principles. Dethroning tonality and 'emancipating the dissonance' led to a radical change in his understanding of form and the intensity of musical expression beginning in 1907/1908: 'And I am unconditionally approaching a new kind of expression - I can sense it. The sounds now are virtually becoming a bestially direct expression of sensual and intellectual feelings - almost as if everything had been directly propagated.' (Diary entry, March 1912.)