Micro-Concerto 麦基 协奏曲 总谱 博浩版

曲家想象出了从木片、金属片和皮片中发出声音的特殊方法，而不是简单地敲打东西，因为对他来说，为打击乐创作的第一步就是发明乐器和演奏技巧。"两段间奏是在标准的大件打击乐器上演奏的，但主要乐章侧重于细小的动作和微妙的区别。这两段插曲是在大型标准打击乐器上演奏的，但主要动作都集中在小动作和微妙的区别上，充满了对如何恰到好处地演奏某种手持玩具的挑剔描述。这种对小肌肉群的微观管理，以及协奏曲独奏者由能想象到的最小的管弦乐队伴奏的事实，都是标题的由来"

作曲家: Mackey, Steven
乐器: Percussion and chamber ensemble
出版社: Boosey & Hawkes
原文简介:
The composer imagined particular ways to coax sound out of pieces of wood, metal and skin instead of simply hitting things as for him, the first step in writing for percussion is to invent the instrument and a playing technique.The two interludes are played on big, standard pieces of percussion furniture, but the main movements focus on small moves and subtle distinctions. They are full of fussy descriptions of how to play some handheld toy just so. This micro-management of small muscle groups, and the fact that the concerto soloist is accompanied by the smallest orchestra imaginable, suggested the title.