Eternity's Sunrise for string orchestra 马特兰 弦乐团 总谱 朔特版

我想为为编舞家亨利-奥吉克及其舞团创作的《虎舞》写一部伴奏作品。虽然《永恒的日出》是为音乐厅而非剧院创作的，但舞蹈是音乐的一个普遍特征，合奏几乎自始至终节奏一致。开场的爆破为接下来的演奏奠定了基础，最后的短暂回旋作为尾声。史蒂夫-马特兰（Steve Martland）说："这部作品对演奏者和观众都有强烈的震撼力，它是高压音乐，需要演奏者真正的耐力。 在首演和随后的巡演中，观众都非常喜欢这部作品，它也是一部非常棒的舞曲： 把欢乐束缚在自己身上的人，会毁灭展翅飞翔的生命；而在欢乐飞翔时亲吻它的人，会活在永恒的日出中。顺便提一下，这首诗在斯托克豪森工作生涯的大部分时间里都放在他的办公桌上，而他的去世就发生在史蒂夫创作这首作品的时候

作曲家: Martland, Steve
乐器: string orchestra
出版社: Schott Music
原文简介:
I wanted to write a companion piece for Tiger Dancing, which was written for the choreographer Henri Oguike and his company. Although Eternity's Sunrise was written for the concert hall rather than the theatre, dance is a pervasive feature of the music, the ensemble plays almost throughout in rhythmic unison. The opening burst sets the stage for what follows and makes a short final return as a coda. The work last about sixteen minutes.Steve Martland.The work has a powerful impact on both players and audiences, it's high-voltage music requireing real stamina from the performers. Audences at the premiere and subsequent tour loved it and the work would make marvellous dance music.The title of this piece comes from lines by the visionary English poet William Blake: He who binds to himself a joyDoes the winged life destroy;But he who kisses the joy as it fliesLives in eternity's sunrise. Incidentally, this poem was on Stockhausen's desk for most of his working life, and his death occurred as Steve was writing the piece.