Double Bass Concerto (Farewell to St. Petersburg) 布莱亚斯 协奏曲 总谱 朔特版

这首协奏曲不同寻常地加入了男声合唱。布莱尔斯在创作这首曲子时受到了许多俄罗斯元素的影响，尤其是低音声部的曲文，取自格林卡的歌曲组曲《再别康桥》。布莱尔斯写道："整首乐曲的配器相当轻盈，这样低音提琴的歌唱性就能显现出来。虽然在结尾部分有一个自然和声的段落，但音调的重点是在中音区。虽然这首曲子并不是为演奏家而设计，但在一段简短的快板中，独奏者有时会得到其他独奏乐器（低音单簧管、中提琴、大提琴、低音提琴）的支持'"

作曲家: Bryars, Gavin
乐器: solo double bass, optional 3 part bass chorus and chamber orchestra
出版社: Schott Music
原文简介:
This concerto has the unusual addition of an optional male voice choir. Many Russian elements influenced Bryars when he was writing the piece, not least the text for the bass voices which is taken from Glinka’s song cycle Farewell to St Petersburg. Bryars writes ‘The orchestration is quite light throughout, so that the singing quality of the double bass can emerge. The emphasis in terms of tessitura is on the middle register, though in the closing section there is a passage in natural harmonics. Although the piece is not designed to be a virtuoso showpiece, there is a brief cadenza in which the soloist is supported at times by other solo instruments (bass clarinet, viola, cello, bass).’