Der wunderbare Madarin Pantomime in one act 总谱 环球版
在《国语》中,他终于打破了浪漫主义传统,也摆脱了世纪之交典型的艺术努力。童话剧首次反映了巴托克从民间音乐中学到的东西,并将其提炼为一种个人的表达方式,一种个人的乐句。他有意识地与自己年轻时的意识形态和风格划清了界限。György Kroó
作曲家: Bartok, Bela / Diverse
编者: Bartok, Peter
乐器: for orchestra
出版社: Universal Edition
原文简介:
In the Mandarin he finally breaks with the romantic tradition and also turns away from the artistic endeavours typical of the turn of the century. The pantomime reflects for the first time what Bartók had learnt from folk music, refined into a personal expression, an individual phraseology. He consciously settles a score with the ideology and the style of his youth.' György Kroó
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