Chorale and Tribute 林德贝里．马格努斯 圣咏合唱 总谱 博浩版

为管弦乐队创作的《合唱曲》（2001-02）是对巴赫的大合唱《O Ewigkeit, du Donnerwort》中的合唱曲《Es ist genug》的一种音乐冥想，这首合唱曲本身是对 J R Ahle 的 1662 年赞美诗的和声。尼克-金伯利（Nick Kimberley）在序言中概述了巴赫原作的背景，并提到阿尔班-伯格（Alban Berg）在近 300 年后的小提琴协奏曲中使用了这首合唱曲。与这两部作品不同的是，林德伯格的《合唱曲》没有任何额外的音乐目的。作曲家解释说，他采用了合唱曲的和声结构，并将其嵌入自己的和声中。"我用潮汐的涨落来做模拟。当潮水涨起时，海床是看不见的；但当潮水退去时，你会看到海床上的岩层。""致敬 "是一首短小的管弦乐表演曲目，作于 2004 年，是为庆祝埃萨-佩卡-萨洛宁与洛杉矶爱乐乐团首次合作 20 周年而创作的礼物

作曲家: Lindberg, Magnus
乐器: orchestra
出版社: Boosey & Hawkes

曲目:
ChoralePreface - Vorwort - Préface - Instrumentation - ScoreTributeInstrumentation - Score

原文简介:
Chorale (2001–02), for orchestra, is a kind of musical meditation on the chorale Es ist genug from Bach’s cantata O Ewigkeit, du Donnerwort, itself a harmonisation of J R Ahle’s 1662 hymn. Nick Kimberley’s preface outlines the context of the Bach original and refers to Alban Berg’s use of the chorale in his Violin Concerto almost 300 years later. In contrast to both of these works, Lindberg’s Chorale has no extra-musical agenda. The composer explains that he took the harmonic structure of the chorale and embedded it in his own harmonies. “I make an analogy with the rise and fall of the tide. When the tide is in, the sea-bed is invisible; but when the tide goes out, you see the rock formation on the sea-bed.”Tribute is a short show-piece for full orchestra composed in 2004 as a gift to celebrate the 20th anniversary of Esa-Pekka Salonen’s debut with the Los Angeles Philharmonic.