Violin Concerto WoO 1 Concerto for Violin and Orchestra in D minor 舒曼．罗伯特 小提琴协奏曲 协奏曲小提琴管弦乐团 小调 小提琴加钢琴 朔特版
这首 19 世纪重要作品的新演奏数据现已作为罗伯特-舒曼作品评论版全集的一部分出版，并采用了出色的记谱法和高标准的编辑。由于我们今天仍无法理解的原因，克拉拉-舒曼在约瑟夫-约阿希姆和约翰内斯-勃拉姆斯的支持下，压制了罗伯特-舒曼的晚期作品，甚至销毁了其中的一些。直到 1937 年，舒曼的最后一部重要作品--《D 小调小提琴协奏曲》才引起公众的注意。 克里斯蒂安-特茨拉夫（Christian Tetzlaff）关于弓法和指法的注释同时包含在钢琴重奏和独奏部分中
作曲家: Schumann, Robert
乐器: violin and orchestra
出版社: Schott Music
曲目:
Piano reduction: - Vorwort - Zur Solostimme - Foreword - The solo part - Préface - À propos de la partie du violon solo - Konzert für Violine und Orchester (d-Moll): - I Im kräftigen, nicht zu schnellen Tempo - II Langsam - III Lebhaft, doch nicht schnell - Solo part: - Zur Solostimme - The solo part - À propos de la partie du violon solo - Konzert für Violine und Orchester (d-Moll): - I Im kräftigen, nicht zu schnellen Tempo - II Langsam - III Lebhaft, doch nicht schnell
New performance material of this 19th-century key work is now published as part of the complete critical edition of the works by Robert Schumann, in an excellent notation and with a high editorial standard. For reasons that we still cannot comprehend today, Clara Schumann, supported by Joseph Joachim and Johannes Brahms, suppressed the late works of Robert Schumann and even destroyed some of them. It was not until 1937 that the Violin Concerto in D minor, Schumann's last major work, was brought to the public's attention. With its very own mixture of neo-Baroque style and ambiguous virtuosity, it stands for the unfathomable sides of German Romanticism and already portends the concert aesthetics of the 20th century.Christian Tetzlaff's note on his bowings and fingerings are included in both, the piano redution and the solo part.