Sonatas for Violin and Piano Band 2 Based on the sources edited by Ute Bär. Arrangement of the violin part by Christiane Edinger. Fingerings of the piano part by Peter Roggenkamp 舒曼．罗伯特 奏鸣曲小提琴钢琴 编曲 小提琴 钢琴 小提琴加钢琴 维也纳原典版

在《罗伯特-舒曼小提琴奏鸣曲》第二卷中，Wiener Urtext 版介绍了舒曼、勃拉姆斯和阿尔伯特-迪特里希共同创作的《F.A.E.奏鸣曲》，以及经过编辑的版本，其中勃拉姆斯和迪特里希的乐章被替换为罗伯特-舒曼的第三首小提琴奏鸣曲。本版本以 2002 年出版的《新舒曼全集》中的版本为基础，因此采用了最新的音乐学研究成果。就《F.A.E.》奏鸣曲而言，主要是在动态和衔接方面略有改动。至于舒曼的第三小提琴奏鸣曲，本版与 1956 年出版的初版和 1988 年略作修订的新版有较大差异。由于新发现的文献，迄今为止尚无法明确确定的中间乐章的顺序与早期版本相比有所改变。此外，第一版中在最后 13 小节之前的中间部分第一段的重复被省略了，但这并非舒曼的本意。然而，作曲家要求的尾声开始前前八小节的重复，在迄今为止的出版物中却没有出现，因此被添加了进去。此外，与第一版不同的是，新版包含了第一乐章第 100 小节的变奏，舒曼并未将其完整写出

作曲家: Schumann, Robert
编者: Baer, Ute
校订者: Roggenkamp, Peter
乐器: violin and piano
出版社: Wiener Urtext Edition

曲目:
Schumann, Robert: F-A-E-Sonate a-Moll (Schumann, Brahms, Dietrich) - Schumann, Robert: 3. Sonate a-Moll (Schumann) WoO 2

原文简介:
In Vol. 2 of the Violin Sonatas by Robert Schumann, the Wiener Urtext Edition presents the F.A.E. sonata jointly composed by Schumann, Brahms and Albert Dietrich, as well as the edited version, with the movements of Brahms and Dietrich being replaced, as third violin sonata of Robert Schumann. The present edition is based on the edition published in 2002 in the New Schumann Complete Edition and thus on the latest musicological findings. In the case of the F.A.E. sonata, this is mainly a matter of slight changes in the fields of dynamics and articulation. In the case of Schumann's third violin sonata, the present edition differs more significantly from the first edition published in 1956 and the slightly revised new edition of 1988. The order of the middle movements the accuracy of which could not be clearly determined up to now has been changed, compared to the earlier editions, because of newly found documents. In addition, the repetition of the first section of the middle part notated in the first edition before the last 13 bars, yet not intended by Schumann has been omitted. The repetition demanded by the composer, however, of the first eight bars before the beginning of the coda which is missing in hitherto publications has been added. Moreover, in contrast to the first edition, the new edition contains a variant for bar 100 in the first movement which was not written out in full by Schumann.