Missa sacra op. 147 for four-part choir and orchestra 舒曼．罗伯特 合唱团管弦乐团 总谱 欧伊伦堡版

在 19 世纪中叶，无论谁试图创作拉丁弥撒曲，都必须与伟大的典范和传统的作曲技法竞争。巴赫的《B小调弥撒曲》和贝多芬的《庄严弥撒曲》，甚至是他早期的《C大调弥撒曲》（舒曼曾演奏过），都是接受高度浪漫主义的伟大弥撒传统的重要作品。与之前的舒伯特和后来的布鲁克纳不同，舒曼的 C 小调弥撒曲也受到传统的束缚，但却在'Ordinarium Missae'中找到了自己的表述方式，其特点指向作曲家的晚期风格"

作曲家: Schumann, Robert
编者: Appel, Bernhard R.
乐器: choir and orchestra
出版社: Ernst Eulenburg & Co. GmbH

曲目:
Preface - Vorwort - Kyrie - Gloria - Credo - Offertorium - Sanctus - Agnus Dei

原文简介:
Whoever attempted to compose a Latin mass in the middle of the 19th century had to compete with great models and traditional composition techniques. Bach's Mass in B minor and Beethoven's Missa solemnis, but even his earlier Mass in C major (performed by Schumann) are among the key works of a great mass tradition in the reception of High Romanticism. Not unlike Schubert and later Bruckner before, Schumann's Mass in C minor too is bound by tradition, yet finds its very own formulation of the 'Ordinarium Missae', the characteristic features of which point to the late style of the composer.