Adagio and Allegro, Op. 70 Edition for Violin and Piano With Marked and Unmarked String Part 舒曼‧罗伯特 慢板 小提琴(含钢琴伴奏) 亨乐版

1849年，舒曼转向一种新的体裁：钢琴与伴奏乐器作品。他系统地为不同的管乐器演奏了幻想曲、浪漫曲等。- 他还总是为弦乐提供另一个声部。因此，舒曼还为他的作品《阿达吉奥与快板》（Adagio and Allegro op. 70 作品《圆号与钢琴的快板与慢板》的替代部分，即小提琴部分。克拉拉与圆号演奏家尤利乌斯-施利特劳（E. Julius Schlitterlau）一起演奏了这部新作品，并在之后的日记中写道 "这首曲子非常出色，清新而富有激情，正如我所喜欢的那样！"就连舒曼也热情洋溢地承认这一点。就连舒曼也热情洋溢地承认，他 "演奏得很开心"--即使在今天，许多音乐家也是如此

作曲家: Robert Schumann
校订者: Ernst Herttrich
乐器: Violin; Piano Accompaniment
出版社: Henle Urtext Edition
原文简介:
In 1849, Schumann turned to a new genre: works for piano and an accompanying instrument. He showered the different wind instruments systematically with Fantasies, Romances, etc. – and always also provided an alternative part for strings. Thus Schumann also wrote an alternative part for his Adagio and Allegro op. 70 for Horn and Piano, namely for the violin. Clara played the new work together with the horn player E. Julius Schlitterlau, writing afterwards in her diary: “The piece is splendid, fresh and passionate, just as I like it!” And even Schumann admitted enthusiastically that he “had had fun with it” – which is true of many musicians even today.