String Quartet in A Minor, Op. 29, D. 804 Rosamunde 舒伯特 弦乐四重奏 罗莎蒙 亨乐版

A小调四重奏》是舒伯特在1824年春天希望 "为伟大的交响乐铺平道路 "的室内乐作品之一。同时，他也在为更多的听众铺平道路，因为 "罗莎蒙德 "四重奏是舒伯特生前第一首也是唯一一首不仅公开演奏过，而且还部分出版的弦乐四重奏。我们很幸运，因为这首广受喜爱的四重奏的亲笔签名至今下落不明，而作品的唯一来源就是初版本。这正是我们面临的挑战所在，因为这些部分在衔接和动态方面存在一些误差。我们必须小心翼翼地解决这些问题，而我们的新版 Urtext 则堪称典范。这首曲子的名字可以追溯到舒伯特为戏剧《罗莎蒙德》创作的附带音乐，在安达特乐章的开头就可以听到。不过，很多人可能会想起降 B 大调即兴曲作品第 142 卷第 3 号。142之3即兴曲，舒伯特后来在其中再次使用了这一优美的旋律"

作曲家: Franz Schubert
校订者: Egon Voss
乐器: String Quartet
出版社: Henle Urtext Edition
原文简介:
The Quartet in A minor is one of the chamber music works with which Schubert wanted to “pave the way to the great symphony” in spring 1824. At the same time he was paving his way to a wider audience, as the “Rosamunde” Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert's incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 no. 3, in which Schubert later once again took up the beautiful melody.