Tzigane -Concert rhapsody for violin and piano- Concert rhapsody for Violin and Piano 拉威尔摩利斯 吉普赛音乐会 狂想曲 小提琴 钢琴 音乐会 狂想曲 小提琴 钢琴 骑熊士版
1922年，莫里斯-拉威尔在伦敦的音乐会上聆听了匈牙利年轻小提琴演奏家、约瑟夫-约阿希姆的侄女杰利-达拉尼的演奏。演出结束后，拉威尔花了一个晚上的时间，要求达拉尼用她的小提琴演奏许多吉普赛曲调，向她探究小提琴的技术极限。这次相遇的结果就是拉威尔的演奏经典《Tzigane》"
作曲家: Ravel, Maurice
校订者: Woodfull-Harris, Douglas
乐器: violin and piano 小提琴(含钢琴伴奏)
出版社: Bärenreiter 骑熊士(小熊版)
难度: 4
原文简介:
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D’Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D’Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel’s virtuoso classic “Tzigane”.
Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated “Tzigane” and both versions remain a “must” for music-lovers and aspiring violinists today. Jelly D’Aranyi performed both versions regularly throughout her long career.
This Urtext edition presents the first scholarly-critical edition of Ravel’s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer’s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of “Tzigane” from the estate of Jelly D’Aranyi, which is today part of a private collection.
The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D’Aranyi. D’Aranyi’s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D’Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.
- First scholarly-critical Urtext edition of the work
- Presented are both versions: for violin and orchestra and for violin and piano
- Includes Jelly D’Aranyi’s fingering