Passacaglia 魏德曼 钢琴三重奏 朔特版

首钢琴三重奏帕萨卡利亚是我的大提琴协奏曲《暗弦》（Dunkle Saiten）的 "初级 "伴奏曲目，或者更准确地说，是协奏曲中带有 "Feierlich, schreitend"[庄严，大步流星]标志的大型引子部分的 "初级 "伴奏曲目。大提琴协奏曲中不可避免的灾难性结局，在这首作品中表面上基本没有冲突。事实上，这也许是我最平和、最无冲突的作品之一；它由半小时几乎完全是调性的进行构成。在这里，"passacaglia"（踏步舞！）的字面意思是：踏步本身成为作品的主题。这也包括停顿、无法前进、摸索前进、跌跌撞撞和强迫性地向前迈步。虽然结构的和声表面看起来很熟悉，但对我来说，音乐流程的自然适应在类似程度上是全新的。这是我完全借助和声--即纵向--进行来制作线性调性带（横向）的尝试

作曲家: Widmann Joerg
乐器: violin, cello and piano
出版社: Schott Music
原文简介:
This Piano Trio Passacaglia is the “junior” companion piece to my Cello Concerto Dunkle Saiten [Dark Strings], or more precisely to the concerto’s large-dimensional introductory section with the indication “Feierlich, schreitend” [solemnly, striding]. What in the Cello concerto then inescapably culminates in a catastrophe remains in this composition ostensibly largely conflict-free. This is in fact perhaps one of my most peaceful and conflict-free compositions; it consists of half an hour of almost exclusively tonal progressions. Here, passacaglia (stepping dance!) is taken literally: the step progressions themselves become the subject of the work. This also includes pausing, not being able to progress, feeling one’s way, stumbling and taking compulsive steps forward.As familiar as the harmonic surface of the structure appears, for me the natural adaptation of the musical flow was new to a similar degree. This is my attempt to produce a linear tonal band (a horizontal) exclusively with the aid of harmonic – i.e. vertical – progressions.- Jörg Widmann
难度: difficult