Päärme / Hem 钢琴三重奏 芬尼卡·盖尔曼版

洛塔-韦纳科斯基（Lotta Wennäkoski）讲述了她为钢琴三重奏创作的长达10分钟的作品《半球》（Päärme）：我们经常在音乐中谈论形象意义上的匠人精神，特别是对于作曲家而言，匠人精神是一种传统的职业美德。不过，我个人也时常对手工艺品、织物的触感和缝纫所产生的具体形象感兴趣。钢琴三重奏《Päärme/Hem》具有脉动的特征，尤其是在外侧部分，而稳定但色彩不稳定的缝合的概念促使我为乐曲的标题选择了一个有趣且极不寻常的词。这首三重奏中的缝合动作欢快明快，尽管其结果并不总是过于整齐或规则。因为噪音也是手工质地的一个固有特征。我的作曲灵感往往来自西贝柳斯钢琴三重奏的首演。静态中段的缓慢旋律素材在很大程度上得益于对王牌演奏家手中细腻、密集线条的了解。本产品包括乐谱（=钢琴声部）以及小提琴和大提琴声部，均为 B4 规格"

作曲家: Wennäkoski Lotta
乐器: violin, cello and piano
出版社: Fennica Gehrman
原文简介:
Lotta Wennäkoski tells about her 10 minute long work Päärme (Hem) for piano trio: "We often speak in music of crafting in a figurative sense, and craftsmanship is, for the composer particularly, a traditional professional virtue. I personally have from time to time nevertheless been interested in the concrete images aroused by handicrafts, the way fabrics feel, and sewing. The piano trio Päärme/Hem has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word I chose for the title of the piece. The hemming in this trio is cheerfully brisk, though the result is not always even intended to be over-neat or regular. For noise sounds are also an intrinsic feature of a hand-made texture. As is often the case with me, my source of inspiration in composing was the fact that the Sibelius Piano Trio would be giving the first performance. The slow, melodic material of the static middle section is to a great extent indebted to the knowledge of just how succulently such delicate, intensive lines can sound in the hands of ace players." This product includes the score (=piano part) and parts for violin and violoncello, all in B4 size.