Fairy Tales op. 132 Based on Robert Schumann. Neue Ausgabe sämtlicher Werke, Band II/3 舒曼˙罗伯特 钢琴三重奏 童话故事 朔特版

为降B大单簧管（小提琴伴奏）、中提琴和钢琴而作的童话叙事曲（Märchenerzählungen），作品132，是舒曼为数不多的在短时间内完成创作、修改和出版的作品：1853年10月初在杜塞尔多夫创作，11月3日已向布雷特科夫& Härtel出版社提出出版，1854年2月付印。在创作和出版《少女之歌》的同时，作曲家也经历了一段艰难的时期，那是作曲家被送往恩德尼希精神病院的最后日子。这部作品的受欢迎程度与最后的创作时期如影随形：这些作品与他人生的黑暗阶段联系在一起，很少被演奏。Märchenerzählungen》是舒曼为这种与众不同的钢琴三重奏与中提琴和单簧管创作的唯一作品。在当时，这种三重奏形式唯一为人熟知的是莫扎特的 "凯格尔施塔特 "三重奏 K 498（作于 1786 年）。舒曼在莱比锡时期肯定已经熟悉了这部作品--1829 年的一次 "四重奏会议 "上演奏过这部作品

作曲家: Schumann Robert
改编者: Novara, Elisa
乐器: clarinet (violin), viola and piano
出版社: Schott Music
原文简介:
The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February 1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work’s reception lies in the shadow of the last creative period: The pieces were associated with his life’s darker phases and were very little played. The Märchenerzählungen transmit Schumann’s single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart’s “Kegelstatt” Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years – it was played in one of the “quartet sessions” in 1829.
难度: intermediate - advanced