Preludes Vol. 3 前奏曲 钢琴独奏

六首钢琴独奏前奏曲使用了古典和爵士传统的词汇。前奏曲 XIII（降 G 调）以优美的右手旋律为中心，其上是一组不断变化的丰富和声，和声的半音化程度越来越高。第一段即兴演奏暗示了德彪西的色彩，而第二段即兴演奏则要求采用更为传统的和声关系，这给了钢琴家充分的机会去探索引人入胜的道路。前奏曲第十五首（B）是一首优美缠绵的华尔兹，无论是书面部分还是即兴部分，都充满了柔情和敏感。与多宾斯的许多作品一样，在复杂而动人的音色上突出了歌唱性的旋律，这使得钢琴家可以在键盘上获得宽广的音域。前奏曲 XVII（E）是一首构思精巧的左手独奏曲。多宾斯再次运用其丰富的和声技巧，为钢琴家提供了广阔的描绘空间。前奏曲 XVIII》（升 C 小调）是一首节奏感极强的现代爵士练习曲，需要强劲的动力、灵活的手指和快速的触键。与前两组前奏曲一样，多宾斯为现代钢琴家提供了一个名副其实的新世界，供他们探索并带给现代听众。他向各类钢琴家（非改编的古典钢琴家和爵士钢琴家，他们通常不演奏书面乐谱）提出挑战，让他们了解他人的交流方式。这样，他就提供了一套引人入胜、独一无二的钢琴作品，以及每次演奏都会变得更加个性化的个人表达可能性

作曲家: Dobbins, Bill
乐器: piano
出版社: advance music GmbH

曲目:
Prelude XIII – Prelude IV – Prelude XV – Prelude XVI – Prelude XVII – Prelude XVIII

原文简介:
Six preludes for solo piano using vocabulary from both the classical and the jazz traditions. Prelude XIII (G flat) focuses on a lovely right hand melody that sits on top a constantly shifting set of rich and increasingly chromatic harmonies. The first improvised section suggests Debussy colors, while the second improvisation calls for a more traditional harmonic relationship, giving the pianist ample opportunities to discover intriguing roads to travel. Prelude XV (B) is a hauntingly beautiful waltz that cries out for tenderness and sensitivity in both the written and improvised sections. As with so much of Dobbins writing, the prominence of singing melodies over complex yet appealing sonorities allows the pianist to access a wide tonal range at the keyboard. Prelude XVII (E) is a brilliantly conceived study for the left hand alone. Again dipping into his rich harmonic bag of tricks, Dobbins provides the pianist broad stokes with which to paint. Prelude XVIII (C sharp minor) is a rhythmic tour de force, a modern jazz etude that demands a strong drive, steel fingers, and a quick touch. As in the previous two sets of Preludes, Dobbins has given the modern pianist a veritable new world to explore and to bring to modern audiences. He is challenging each kind of pianist (the non-improvising classical and the jazz pianist who may not perform written scores as a rule) to introduce themselves to the others way of communication. And in doing so, he is providing a fascinating, pianistic, and unique set of pieces, and possibilities for personal expression that become ever more personal each performance.