Partita 霍利格 古组曲 钢琴独奏 朔特版

海因茨-霍利格曾深入研究弗里德里希-荷尔德林和罗伯特-舒曼。他的帕蒂塔第三乐章《巴卡洛尔舞曲》前面有这样一句格言：'我们应该让自己被摇篮托起，就像在海上摇晃的小船上'。这些诗句出自荷尔德林的诗歌《Mnemosyne》（记忆）。乐曲以古老贡多拉歌曲的节奏开始。但有时它又失去了典型的稳定的音乐流畅性，陷入了语音语调和节奏中。第四乐章和第六乐章的标题是 "Sphynxen für Sch."，让人联想到舒曼在《狂欢节》中用 "斯芬克斯 "一词将自己的名字变成音调。第二乐章 "Fuga "指的是舒曼的脚踏钢琴赋格曲。霍利格的这首帕蒂塔清楚地表明了他是如何参照历史背景进行多层次的编排和结构的。霍利格作品中的形式和宗教象征意义并不局限于对莱比锡圣托马斯教堂指挥的提及，还包括舒曼和李斯特对巴赫相互交织的矛盾态度。这是一部对技术和音乐要求极高的音乐会作品"

作曲家: Holliger, Heinz
乐器: piano
出版社: Schott Music

曲目:
I Prelude (“Inner Voice”) - II Fugue - III Barcarole - IV Sphinxes for Sch. (Intermezzo I) - V petit “Csárdás obstiné” - VI Sphinxes for Sch. (Intermezzo II) - VII Ciaccona monoritmica

原文简介:
Heinz Holliger has dealt intensively with Friedrich Hölderlin and Robert Schumann. The third movement of his Partita, a Barcarole, is preceded by the motto: ‘We should let ourselves be cradled | As if on a boat rocking on the sea.’ These lines have been taken from the poem ‘Mnemosyne’ (Memory) by Hölderlin. The piece starts in the rhythm of old gondola songs. But sometimes it loses its typical steady flow of music, lapsing into speechtones and rhythms. The fourth and sixth movements are headed ‘Sphynxen für Sch.’, reminiscent of the term ‘Sphinxes’ used by Schumann in Carnaval to turn his name into tones. The second movement ‘Fuga’ refers back to Schumann’s fugues for pedal piano. The code BACH, a transposition from Schumann’s Op. 60, appears right in the middle.Holliger‘s Partita clearly shows how he refers to a historical background which he has arranged and structured in many layers.Composed in anticipation of the Bach anniversary in 2000. The forms and religious symbolism in Holliger’s piece are not restricted in their reference to the Cantor of St Thomas’ Leipzig, but include the interwoven contradictory attitudes towards Bach of Schumann and Liszt. A technically and musically demanding concert piece.