Grand Quintetto K 361 after Serenade in Bb ('Gran Partita') 莫扎特 钢琴五重奏小夜曲

从一开始，莫扎特的《12管与低音大提琴小夜曲K.361》（通常被称为《13管小夜曲》或《大帕提塔》）就因其曲谱的大小和性质，以及作品不同寻常的长度而无法经常演奏，这首曲子（或其中的选段）出现了许多替代性但更方便的曲谱：管乐八重奏、管乐六重奏、弦乐五重奏以及长笛四重奏的变奏曲版本（被列为K.285b，但几乎可以肯定不是莫扎特的作品）。不过，在这些小规模的曲谱中，克里斯蒂安-施文克（Christian Schwencke）为包括钢琴在内的室内乐组所做的编曲在音效上最为出色，而这一编曲也是莫扎特为五位演奏者所做的想法的最连贯体现。与《大帕蒂塔》的几个流传版本一样，施文克的版本在第一首菜单小调中加入了第三首三重奏；迄今为止，这首三重奏既未被证实为真正的莫扎特作品，也未被推翻，它被收录在这部作品的首个现代版中，用于独特的乐器组合，还提供了长笛、单簧管甚至另一把小提琴代替双簧管的选择"

作曲家: Mozart Wolfgang Amadeus
改编者: Hogwood, Christopher
校订者: Schwenke, C. F. G.
乐器: Oboe (flute/clarinet/violin), violin, viola, cello, piano
出版社: Edition HH Limited
原文简介:
From the start, the size and nature of the scoring of Mozart’s Serenade for 12 Winds and Contrabass K. 361 (conventionally called either Serenade for 13 Winds or Gran Partita) and the unusual length of the work precluded frequent performance, and the piece (or selections from it) appeared in many alternative but more convenient scorings: for wind octet, wind sextet, string quintet and a flute quartet version of the variations (listed as K. 285b but almost certainly not Mozart’s work). Of the small-scale scorings, however, Christian Schwencke’s arrangement for a chamber group including piano is sonically the most effective and this arrangement is the most coherent representation of Mozart’s ideas for five players. In common with several transmitted versions of the Gran Partita, Schwencke’s version includes a third Trio attached to the first Menuetto; to date this Trio has neither been authenticated as true Mozart, nor debunked, and it is included in this first modern edition of this work for a unique instrumental combination, also offering the alternatives of flute, clarinet or even another violin to replace the oboe.