Works for Piano 4 Hands Band 2 Original text of the new Schumann Complete Edition 舒曼．罗伯特 钢琴 歌词 4手联弹(含以上) 维也纳原典版
尽管罗伯特-舒曼非常喜欢二重奏，但他为钢琴二重奏创作的作品却寥寥无几。创作于 1848 年的《Bilder aus dem Osten》作品 66 是直到 20 世纪最著名、最常演奏的钢琴二重奏作品之一。但这位 18 岁作曲家以弗朗茨-舒伯特为榜样，甚至在和声的大胆创新和音调的独创性上超过舒伯特的作品 3《波罗乃兹舞曲》，已经显示出自学成才的舒曼正在走向自己的风格。在第一卷收录了为音乐教学目的而创作的较为简单的作品后，第二卷除了上述两部作品外，还收录了迷人但鲜为人知的作品109《Ballszenen》。根据《新舒曼全集》（由约阿希姆-德拉汉姆和伯尔尼哈德-阿佩尔编辑）的音乐文本新编的维也纳乌尔文版首次提供了可靠的原始文本，尤其是迄今为止编辑不足的 8 首波罗乃兹舞曲。附录中收录了广受欢迎的作品 73《幻想曲》（原为单簧管和钢琴曲），由作曲家、未来的舒曼研究者弗里德里希-古斯塔夫-扬森（Friedrich Gustav Jansen）编辑。1851 年出版的编曲经过了修订，因此得到了舒曼本人的授权"
作曲家: Schumann, Robert
编者: Draheim, Joachim
校订者: Borota, Ljiljana / Knebel, Christian
乐器: piano (4 hands)
出版社: Wiener Urtext Edition
曲目:
Preface - Notes on Interpretation - 8 Polonaises for piano 4 hands Anh. G1 - Bilder aus Osten op. 66 - Ball-Szenen op. 109 - Fantasiestücke für Klarinette und Klavier op. 73 bearbeitet für Klavier zu vier Händen von Friedrich Gustav Jansen
Although Robert Schumann absolutely loved to play a duet, he wrote only few works for piano duet. Created in 1848, Bilder aus dem Osten Op. 66 was one of the best-known and most frequently played works in the piano duet literature until the 20th century. But the Polonaises Op. 3 by the 18-year-old composer following the example of Franz Schubert and even exceeding him in harmonic boldness and tonal ingenuity already show the self-taught Schumann on the way to his own style. After volume 1 which contains the easier works composed for music teaching purposes, volume 2 now contains the charming, yet hardly known Ballszenen Op. 109 in addition to the two above-mentioned works. The new edition of the Wiener Urtext Edition based on the musical text of the New Schumann Complete Edition (edited by Joachim Draheim and Bernhard Appel) provides for the first time a reliable original text based on the sources, especially for the 8 Polonaises which had been inadequately edited up to now. The appendix contains the popular Fantasiestücke Op. 73 (originally for clarinet and piano) edited by the composer and future Schumann researcher Friedrich Gustav Jansen. The arrangement published in 1851 had been revised and thus been authorized by Schumann himself.