Six Nocturnes Heft II Nr. 4-6 a-Moll, C-Dur, F-Dur 夜曲 双簧管加钢琴 齐默尔曼版

双簧管与钢琴夜曲》创作于双簧管逐渐被单簧管挤到一边的时代。除了双簧管演奏家自己，没有人再为他们的乐器创作任何作品。这里介绍的《夜曲》的两位作曲家都是双簧管演奏家。他们分别生活于 1768 - 1853 年和 1752 - 1825 年。在当时，夜曲往往是根据一首非常流行的咏叹调改编而成的独奏曲，外加钢琴或竖琴。这些咏叹调家喻户晓，作曲家无需再添加任何细节，因此现在很难辨认出这些当时的名曲。这里介绍的夜曲出版于 1806 年至 1816 年间。音乐学家弗洛兰斯-巴多尔-贝特朗（Florence Badol-Bertrand）翻阅了巴黎档案馆收藏的第一批印刷品，并对其进行了修改和重新编排。巴黎歌剧院英国圆号独奏家让-皮埃尔-阿尔诺（Jean-Pierre Arnaud）还就发音和乐句提出了建议。这些夜曲是逝去时光的美好见证。由于其中包含一些技巧性段落，其难度属于中高级水平"

作曲家: Garnier, Charles / Jadin, Louis Emmanuel
编者: Badol-Bertrand, Florence
乐器: oboe and piano
出版社: Musikverlag Zimmermann
原文简介:
The Nocturnes for oboe and piano were written at a time when the oboe was gradually being pushed aside by the clarinet. Nobody but oboe players themselves composed anything for their instrument. Both composers of the Nocturnes presented here were oboe players. They lived from 1768 - 1853 and 1752 - 1825 respectively. In those days, a nocturne tended to be a piece for a solo instrument plus piano or harp based on a very popular aria. These arias were so well-known to everybody that there was no need for the composers to add any further details, which makes it very difficult now to identify these hits of the time. The Nocturnes presented here were published between 1806 and 1816. Florence Badol-Bertrand, a musicologist, went through the first prints, collected in Parisian archives, revised and rearranged them. Suggestions as to articulation and phrasing were also added by Jean-Pierre Arnaud, solo English horn player at the Parisian Opera. The Nocturnes are delightful testimonies of times gone by. Their level of difficulty is upper intermediate as they contain some virtuoso passages.