Piano Sonatas Band 2 Edited from the sources 莫扎特 钢琴奏鸣曲 钢琴独奏 维也纳原典版

200多年来，莫扎特的钢琴奏鸣曲一直是每位钢琴家的曲目之一。 然而，在过去几十年的研究中，对这些作品的年代和排序有了更准确的确定。 专家们对资料的研究表明，许多 18 世纪的印刷版本比莫扎特的亲笔手稿提供了更可靠的细节；其中许多作品是由作曲家本人准备出版的，并在装饰音、力度和发音方面标注了精确的演奏指示。所有这一切，再加上对 20 世纪末才得以重见天日的资料的重新发现，使我们有足够的理由出版新的 Wiener Urtext 版莫扎特钢琴奏鸣曲。第一卷收录了 K 279 至 K 311 奏鸣曲，第二卷收录了 K 330 至 K 576 奏鸣曲。在 K 284 奏鸣曲中，最后乐章的第十一变奏既有莫扎特亲笔手稿中的版本，也有第一版中使用的版本。 乐谱清晰明了，布局合理，翻页方便，使这一版本非常便于使用。著名的莫扎特专家罗伯特-D-列文（Robert D. Levin）对演奏的建议，为经常变得相当疲惫的诠释提供了新的刺激"

作曲家: Mozart, Wolfgang Amadeus
编者: Leisinger, Ulrich
校订者: Scholz, Heinz
乐器: piano
出版社: Wiener Urtext Edition

曲目:
Sonate KV 330 - Sonate KV 331 - Sonate KV 332 - Sonate KV 333 - Fantasie und Sonate KV 475/457 - Sonate KV 533 - Sonate KV 545 - Sonate KV 570 - Sonate KV 576 - Sonate KV Anh. 135 / KV 547a

原文简介:
For more than 200 years Mozart's piano sonatas have been part of every pianist's repertoire. Research done over the last few decades has made it possible, however, to establish more accurate dating and ordering of these works. Expert examination of the sources has shown that many printed editions from the 18th Century give more reliable detail than Mozart's autograph manuscripts; many of these works were prepared for publication by the composer himself and marked with precise indications for performance with regard to ornamentation, dynamics and articulation. All this, together with the rediscovery of sources that only became accessible again at the end of the 20th Century, gives reason enough to justify the publication of a new Wiener Urtext edition of Mozart's Piano Sonatas. Volume 1 contains the Sonatas K 279 to K 311, volume 2 the Sonatas K 330 to K 576. For Sonata K 284, variation XI in the final movement is given both in the version that appears in Mozart's autograph manuscript and in the version used in the first edition; in order to make the music easier to read, both versions are given in normal print size. Music that is clear and well laid out, with page turns in convenient places, makes this edition extremely user-friendly. Advice on performance by the renowned Mozart specialist Robert D. Levin provides fresh stimulus for what can otherwise too often become a rather tired interpretation.