Piano Sonatas Band 1 Edited from the sources 莫扎特 钢琴奏鸣曲 钢琴独奏 维也纳原典版

200多年来，莫扎特的钢琴奏鸣曲一直是每位钢琴家的曲目之一。然而，过去几十年的研究使我们有可能为这些作品确定更准确的年代和排序。 专家们对原始档的研究表明，许多十八世纪的印刷版本比莫扎特本人的书面乐谱提供了更可靠的细节；其中许多作品是由作曲家本人准备出版的，并在装饰音、力度和发音方面标注了精确的演奏指示。继 2003 年春季出版的第二卷（包括 K 330 至 K 576 奏鸣曲）之后，我们现在推出第一卷（包括 K 279 至 K 311 奏鸣曲）。在 K 284 奏鸣曲中，最后乐章的变奏 XI 既有原始手稿中的版本，也有第一版中使用的版本。著名的莫扎特专家罗伯特-D-列文（Robert D. Levin）对演奏的建议，为经常变得相当枯燥乏味的诠释提供了新的刺激"

作曲家: Mozart, Wolfgang Amadeus
编者: Leisinger, Ulrich
校订者: Scholz, Heinz
乐器: piano
出版社: Wiener Urtext Edition

曲目:
Sonaten: C-Dur, KV 189d (279) - F-Dur, KV 189e (280) - B-Dur, KV 189f (281) - Es-Dur, KV 189g (282) - G-Dur, KV 189h (283) - D-Dur, KV 205b (284) - C-Dur, KV 284b (309) - a-Moll, KV 300d (310) - D-Dur, KV 284c (311)

原文简介:
For more than 200 years Mozart’s piano sonatas have been part of every pianist’s repertoire. Research done over the last few decades has made it possible, however, to establish more accurate dating and ordering of these works. Expert examination of original documents has shown that many printed editions from the eighteenth Century give more reliable detail than Mozart’s own written scores; many of these works were prepared for publication by the composer himself and marked with precise indications for performance with regard to ornamentation, dynamics and articulation. All this, together with the rediscovery of documents that only became accessible again at the end of the 20th Century, gives reason enough to justify the publication of a new Wiener Urtext edition of Mozart’s Piano Sonatas.- . -To follow the second volume, published in the spring of 2003 with Sonatas K 330 to K 576, we now present the first volume, which contains the Sonatas K 279 to K 311. For Sonata K 284, variation XI in the final movement is given both in the version that appears in the original manuscript and in the version used in the first edition; in order to make the music easier to read, both versions are given in normal print size. Music that is clear and well laid out, with page turns in convenient places, makes this edition extremely user-friendly.Advice on performance by the renowned Mozart specialist Robert D. Levin provides fresh stimulus for what can otherwise too often become a rather tired interpretation.