The Complete Piano Sonatas Vol. 4 Sonatas Hob. XVI:34, XVI:40-42, XVI:47-52. Edited Landon/Leisinger/Levin 海登 钢琴奏鸣曲 奏鸣曲 钢琴独奏 维也纳原典版
克里斯塔-兰登首次推出约瑟夫-海登钢琴奏鸣曲印刷版时，海登的奏鸣曲作品仍被莫扎特和贝多芬的作品所掩盖。但海登的奏鸣曲早已离开了钢琴课的小天地，成为音乐会的保留曲目；兰登的版本无疑在其中发挥了重要作用。2009 年的海登周年纪念是对这一 "传奇 "版本进行彻底修订的大好时机，因为四十多年来，新的数据源不断被发现，有关真实性的问题也得到了澄清；尤其是 18 世纪音乐的编辑原则在这段时间内发生了显著变化。新版包括上一版 Wiener Urtext 中的所有作品，以及由兰登改编的奏鸣曲 Hob. XVI:16，以及几年前在博尔扎诺发现的约瑟夫-海登的 F 大调奏鸣曲。新版本也分为四卷，其内容与前一版本的各卷内容一致。在诠释注释中，罗伯特-D-列文解释了海登演奏实践的重要方面"
作曲家: Haydn, Joseph
编者: Landon, Christa
校订者: Jonas, Oswald
乐器: piano
出版社: Wiener Urtext Edition
曲目:
Preface - Notes on interpretation - Suggestions for embellishment - Facsimilia - Sonata in e minor Hob.XVI:34 - Sonata in G major Hob.XVI:40 - Sonata in Bb major Hob.XVI:41 - Sonata in D major Hob.XVI:42 - Sonata in F major Hob.XVI:47 - Sonata in C major Hob.XVI: 48 - Sonata in Eb major Hob.XVI:49 - Sonata in C major Hob.XVI:50 - Sonata in D major Hob.XVI:51 - Sonata in Eb major Hob.XVI:52 - Critical Notes
When Christa Landon presented her printed edition of Joseph Haydn's piano sonatas for the first time, Haydn's sonata works were still overshadowed by the works of Mozart and Beethoven. But Haydn's sonatas left the niche of piano lessons long since and have become established in the concert repertoire; Landon's edition certainly played a major role in that. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition, because new sources have been discovered and questions concerning authenticity have been clarified over more than forty years; the editorial principles for 18th-century music in particular have markedly changed in the mean time. The new edition comprises all the works from the previous Wiener Urtext edition plus the Sonata Hob. XVI:16 arranged by Landon, as well as a Sonata in F major which was discovered in Bolzano a few years ago and attributed to Joseph Haydn. The new edition, too, is divided into four volumes, the content of which is compatible with that of each of the volumes of the preceding edition. In the notes on interpretation Robert D. Levin explains essential aspects of Haydn's performance practice.