Piano Sonata A Major Hob XVI:26 Edited from the sources by Christa Landon, revised by Ulrich Leisinger, Fingerings by Oswald Jonas. Notes on Interpretation by Robert D. Levin. 海登 钢琴奏鸣曲大调 音符诠释 钢琴独奏 维也纳原典版

A 大调奏鸣曲 Hob. XVI:26 是约瑟夫-海登的奏鸣曲之一，越来越成为我们钢琴教师关注的焦点。这首奏鸣曲技术要求不高，非常适合钢琴课。同时，它还以一种浓缩的形式展现了海登钢琴风格的基本特征--富有表现力的音乐宣叙调、充满张力、机智幽默的修辞断句--其高潮不仅是海登最短的最后乐章之一，而且是一首小步舞曲，其后半部分（在小步舞曲和三重奏中）与倒弹时的前半部分相对应。对于年轻钢琴演奏者中的 "鹰眼 "来说，这是一次真正的探索之旅！音乐文本以乌尔里希-莱辛格（Ulrich Leisinger）新修订的克里斯塔-兰登版本为基础；罗伯特-D-莱文（Robert D. Levin）的诠释注释为演奏练习提供了相应的帮助"

作曲家: Haydn, Joseph
编者: Landon, Christa
校订者: Jonas, Oswald
乐器: piano
出版社: Wiener Urtext Edition
原文简介:
The Sonata in A major Hob. XVI:26 is one of the sonatas by Joseph Haydn which increasingly become the focus of attention of our piano teachers. Thanks to its moderate technical demands, it is perfect for piano lessons. At the same time, it shows essential features of Haydn's piano style in a condensed form – an expressive musical declamation, rhetorical breaks full of tension, wit and humour – which culminates not only in one of the shortest final movements of Haydn, but also in a minuet the second half of which (in Minuet and Trio) corresponds to the first half when played backwards. A real voyage of discovery for the 'eagle-eyed' ones among the young piano players! The musical text is based on Christa Landon's edition newly revised by Ulrich Leisinger; the notes on interpretation by Robert D. Levin provide assistance for a performance practice in the appropriate style.