Concerto for Piano (Harpsichord) and Orchestra G Major Hob.XVIII:4 Edition for Piano and String Quartet 海登 协奏曲 大键琴 管弦乐团 钢琴 弦乐四重奏 钢琴五重奏 亨乐版

与莫扎特相比，海登并不是一位键盘演奏家。他当然会用大键琴指挥管弦乐作品，也会演奏自己的钢琴奏鸣曲，但他的天性中并没有成为钢琴协奏曲演奏家的野心。因此，海登 "只有 "三首钢琴协奏曲流传于世。钢琴与弦乐队协奏曲 Hob. XVIII:4》充满了精神和演奏的乐趣。我们既不知道这首协奏曲的写作场合，也不知道它的创作年份；我们的演奏谱版本的序言（每份演奏谱都有一个弦乐声部）详细讨论了这个问题。与当时的数据一样，这里的独奏声部也包括了领唱声部的低音线（带数字）。阿克塞尔-鲁奥夫（Axel Ruoff）对第一乐章和第二乐章所需的独奏快板提出了建议，海登为最后的回旋乐章创作了快板。这本Urtext版本以海登全集的音乐文本为基础，同样由G. Henle出版社出版。行业媒体对其大加赞赏： "鉴于简易钢琴协奏曲的稀缺，我们应该感谢这一新版本，尤其是因为它可以与一个非常小的管弦乐队一起演奏，甚至可以与弦乐四重奏一起演奏"

作曲家: Joseph Haydn
校订者: Horst Walter
乐器: Orchestra; Piano; Piano Quintet
出版社: Henle Urtext Edition
原文简介:
In contrast to Mozart, Haydn was not a keyboard virtuoso. He certainly conducted his orchestral works from the harpsichord, and also performed his own piano sonatas, but any ambition to be a concertizing pianist was foreign to his nature. Thus “only” three piano concertos by Haydn have come down to us. The Concerto for piano and string orchestra Hob. XVIII:4 is full of spirit and the joy of playing. We know neither the occasion for which it was written, nor the year of composition; the extensive preface to our edition of the playing score, with one string part each, discusses this in detail. As in the sources of the time, the solo part here also includes the bass line (with figures) for tutti sections. Axel Ruoff makes suggestions for the solo cadenzas required in movements 1 and 2, Haydn composed the cadenza for the concluding Rondo movement. This Urtext edition is based on the musical text of the Haydn Complete Edition, which is likewise published by G. Henle Publishers. The trade press applauds it: “in view of the scarcity of easier piano concertos, one can be thankful for this new edition, especially since it can be presented with a very small orchestra, perhaps even with a string quartet.”