Cadenza to the concerto for piano and orchestra in G Major Hob. XVIII:4 装饰乐段 协奏曲钢琴管弦乐团 大调 钢琴独奏 朔特版

即兴和创作的独唱快板通常出现在咏叹调或器乐协奏曲的结尾，自 16 世纪晚期就已存在。独奏快板为演奏者提供了一个自我展示的机会，演奏者可以根据乐章前半部分的主题和动机，以自由的演奏或演唱风格进行表演。独奏快板大多由乐队的六四和弦引出，独奏者以自由的方式开始一段延长的插部，随后在主和弦上达到高潮，通常伴有颤音。在这一发展过程中，一个重要的因素是人们越来越多地滥用快板，将其视为自由技巧的展示，而忽略了作品的风格和推动力。因此，贝多芬在他的第五钢琴协奏曲中没有给独奏者任何自由即兴演奏的机会，快板成了整部作品不可或缺的强制性组成部分。在这个独特的系列中，Schott Music介绍了当代主要作曲家和独奏家为古典和浪漫主义时期著名器乐协奏曲创作的快板。约瑟夫-海登（Joseph Haydn）的《第 4 号 G 大调钢琴与乐队协奏曲》（Cadenzas No

作曲家: Haydn, Joseph / Rota, Nino
乐器: piano
出版社: Schott Music
原文简介:
Improvised and also composed solo cadenzas, normally occuring towards the end of a bravura aria or an instrumental concerto movement, have existed since the late 16th century. They provide the performer with an opportunity for self-presentation in the form of a free style of playing or singing, based on themes and motifs from previous sections of the movement. Solo cadenzas are for the most part introduced by a six-four chord held by the orchestra; the soloist begins a protracting interpolation in free stlye, subsequently culminating on the dominant chord, usually with a trill.Whereas originally composers left solo cadenzas to be freely improvised, from the middle of the 19th century onwards they were frequently specifically written out. The increasing abuse of cadenzas as a mere display of free virtuosity, ignoring the style and impetus of the composition, played a substantial factor in this development. Thus Beethoven gives the soloist no opportunity whatsoever for free improvisation in his 5th piano concerto in which the cadenza becomes an integral, obligatory component of the complete work.In this unique series Schott Music presents cadenzas created for well-known instrumental concertos from the Classical and Romantic periods by major composers and soloists of our time.Nino Rota dedicated the Kadenzen zum Klavierkonzert Nr. 4 in G-Dur (Cadenzas of the Concerto No. 4 for Piano and Orchestra in G major) Hob. XVIII:4 by Joseph Haydn to Arturo Benedetti Michelangeli (1920-1995), who recorded them for the label EMI.