Le Rossiniane Op. 120, 121, 122, 123, 124 for Solo Guitar 吉他

毛罗-朱利亚尼的Rossiniane于 1821 年至 1828 年间出版，由六首完全以乔亚奇诺-罗西尼的音乐为蓝本的乐曲组成。锅庄舞曲是 19 世纪早期最流行的器乐体裁之一，是将不同来源的音乐主题组合成的一首作品。在缺乏现代音乐复制手段的情况下，它们具有非常重要的功能：将通常为剧院创作的音乐带入家庭。从朱里亚尼的书信往来中可以推断出一些重要的观点：第一，罗西尼的作品是他自己音乐会曲目的一部分；第二，罗西尼不仅知道这个以他的名字命名的项目，还与朱里亚尼在某些方面进行了合作，向他提供了一些专门为他的作品创作的主题。第三，朱利亚尼非常清楚，这些作品代表了他自己的创作和当时音乐全景的新发展，是 "一种前所未闻的风格"。本版《罗西尼亚内》以流传下来的当代音乐数据为基础。此外，它还附有一些关于解释的评论，这些评论应有助于准确、连贯地解读这一独特而新颖的音乐文本"

作曲家: Mauro Giuliani
乐器: Guitar
出版社: Durand
原文简介:
Mauro Giuliani's Rossiniane, published between 1821 and 1828, are a series of six musical potpourris entirely based on the music of Gioachino Rossini. The potpourri was one of the most popular instrumental genres of the early 1800s, an assembly of musical themes with different origins combined into a single composition. In the absence of the modern means of reproducing music, they had a very important function: of bringing music, most often created for the theatre, into the home. Some important points can be deduced from Giuliani's epistolary exchanges: the first is that the Rossiniane were part of his own concert repertoire: the second is that Rossini was not only aware of the project which would bear his name, but also collaborated with Giuliani in some ways, providing him with some themes expressly composed for his works. The third is that Giuliani was well aware that these pieces represented a new development for his own compositions and for the musical panorama of the time, “a hitherto-unknown style.” This edition of the Rossiniane is based on the contemporary musical sources that have come down to us. It is enhanced by some remarks on interpretation that should help towards making an accurate and coherent reading of this distinctive and original musical text.