Sonatas for Piano and Violin - Volume III 莫扎特 钢琴 小提琴 奏鸣曲 小提琴(含钢琴伴奏) 亨乐版

莫扎特创作了如此多的室内乐作品（参见奏鸣曲和变奏曲），除了钢琴和小提琴二重奏之外，没有其他室内乐体裁了。他在奏鸣曲上花费了大量时间，探究每一个音色、每一个主题限制和组合。他还探索了将两种乐器配对演奏的可能性，从而创造出纯净、永恒之美与戏剧性力量、优雅和情感深度相结合的音乐。本研究版再现了 HN 77、78 和 79 这三个蓝色 Henle Urtext 演奏版或 HN 80《莫扎特小提琴奏鸣曲全集》布面卷的完整和未经改动的乐谱文本"

作曲家: Wolfgang Amadeus Mozart
校订者: Wolf-Dieter Seiffert
乐器: Piano; Violin
出版社: Henle Urtext Edition

曲目:
Mozart: Later Viennese Sonata B flat major KV 454
Mozart: Appendix: Later Viennese Sonata B flat major KV 570
Mozart: Later Viennese Sonata F major KV 547
Mozart: Later Viennese Sonata A major KV 526
Mozart: Later Viennese Sonata E flat major KV 481

原文简介:
There is no other chamber-music genre for which Mozart produced so many works – see the sonatas and variations – than that of the duos for piano and violin. He spent a considerable amount of time with the sonatas, probing every sound and every thematic limit and combination. He also explored the possibility of pairing off the two instruments, thus creating music of pure, timeless beauty bound with dramatic power, elegance and emotional depth.

Contrary to the earlier violin sonatas, which were issued in cyclical groups of four or six pieces, Mozart had all the sonatas in this volume printed as single works, perhaps a sign of the significance he assigned to them – especially to the first three. These three grandiose works all bear traits of Mozart's mature mastery. The Sonata K. 547, in turn, was designated by Mozart himself in his personal work catalogue as “little klavier sonata for beginners with a violin.” For the sake of completion and because of its popularity, the arrangement of the B flat major piano sonata K. 570 is reproduced in the Appendix, although it is in all likelihood a spurious work not written by Mozart.