Six Recorder Sonatas For Alto Recorder 2 Performance Scores and Bass Part 韩德尔 中音 低音部 奏鸣曲

18 世纪初，木笛作为业余爱好者的独奏乐器大受欢迎。亨德尔的六首直笛奏鸣曲很可能是在 1725/26 年为宫廷公主们的音乐娱乐和培训而创作的。其中只有四首在不久后出版，因此也得到了更广泛的听众；另外两首则是在 20 世纪首次发现的直笛奏鸣曲。这些作品旋律优美，节奏明快，木笛部分相对容易掌握，是为木笛创作的最优美的作品之一。由于低音线条宽广，数字繁多，连奏乐器的演奏者必须具备相当的演奏技巧。在乌尔里希-谢德尔 (Ullrich Scheideler) 的乌尔里希-谢德尔版本的乐谱中，他提供了一个适中的连奏曲；另外提供的演奏乐谱（HN 1574）中有低音提琴部分，为高级音乐家提供了即兴发挥的空间"

作曲家: Georg Frideric Handel
乐器: Recorder
出版社: G. Henle Verlag
原文简介:
At the beginning of the 18th century, the recorder enjoyed great popularity as a solo instrument for amateurs. Among these were also the princesses of the English court, for whose musical entertainment and training Handel's six recorder sonatas were probably written in 1725/26. Only four of them appeared shortly thereafter in print and thus also reached a broader audience; the other two were first discovered for the recorder in the 20th century. Thanks to their melodic and rhythmic incisiveness, the pieces, whose recorder parts are relatively easily mastered, number among the most beautiful written for this instrument. Owing to wide-ranging bass lines and copious figures, the continuo instrument requires a rather well-versed player. In the score of the Urtext edition, Ullrich Scheideler provides a moderate continuo realisation; the additionally available performance score (HN 1574) with figured basso part offers the advanced musician latitude for his/her own improvisation.