Piano Sonata No. 11, B-Flat Major Op. 22 'Grand Sonata' Piano Solo 贝多芬 降B大调钢琴奏鸣曲

降 B 大调第 11 号奏鸣曲是一首技艺高超的作品。第 11 号奏鸣曲并没有与其他奏鸣曲放在一起，而是以'大奏鸣曲'的标题作为第 22 号作品独立存在。贝多芬于 1800 年 12 月将这首奏鸣曲作为 "大型独奏奏鸣曲 "提供给他的出版商霍夫迈斯特，不久之后，他再次明确警告说："这首奏鸣曲非常耗费精力：不久后，他再次明确警告："这首奏鸣曲非常耗费精力"。在早期奏鸣曲中，降B大调奏鸣曲是第一首有手稿版本的奏鸣曲。诚然，这不是贝多芬的手稿，但至少是他审阅过的抄写员的手稿，在此基础上可以检验原版的可靠性--这是编辑上的一个重要因素，但遗憾的是，对于作品编号较低的奏鸣曲来说，却没有这个因素。诺伯特-格尔奇（Norbert Gertsch）和默里-佩拉希亚（Murray Perahia）再次负责这一新版本的编辑工作。指法由默里-佩拉希亚亲自提供"

作曲家: Beethoven Ludwig van
乐器: Piano
出版社: G. Henle Verlag
原文简介:
As a highly virtuoso composition, the B-flat major Sonata no. 11 did not appear within a group with other sonatas, but rather held its own as Opus 22 under the title 'Grand Sonata'. Beethoven offered it to his publisher Hoffmeister in December 1800 as “a large solo sonata” and shortly afterwards warned explicitly once again: “this sonata is very taxing”. Among the earlier sonatas, the B-flat major Sonata is chronologically the first for which a manuscript was also available for the edition. Admittedly, not from Beethoven, but at least a copyist's manuscript that he reviewed, and on the basis of which the reliability of the original edition can be checked - an editorially important factor which one unfortunately has to do without in the sonatas with lower opus numbers. Responsible for this new edition are again the editors Norbert Gertsch and Murray Perahia. The fingerings were provided by Murray Perahia himself.