Piano Sonata in C Major Op. 24 Piano Solo 韦伯卡尔 奏鸣曲 钢琴 亨乐版

卡尔-玛丽亚-冯-韦伯（Carl Maria von Weber）的四首钢琴奏鸣曲均创作于 1812-1822 年，被认为是他并不丰富的钢琴作品的支柱。韦伯是那个时代最著名的钢琴家之一，经常在音乐会上即兴演奏，在这些奏鸣曲中，他充分满足了当时听众的期望。高超的演奏技巧与动听的旋律完美结合。技术要求极高的 1812 年 C 大调奏鸣曲作品 24 在四个乐章中汇集了四种不同的情绪。小步舞曲的 E 大调三重奏是其中的瑰宝，似乎预示着门德尔松《仲夏夜之梦》的诗意。除了初版外，本Urtext 版本还参考了韦伯的亲笔签名。编者 Wiltrud Haug-Freienstein 在为这本合订本撰写的序言中，讨论了有关数据源、音乐文本的个人解读以及韦伯作曲风格等有趣的细节"

作曲家: Carl Maria von Weber
校订者: Wiltrud Haug-Freienstein
乐器: Piano
出版社: Henle Urtext Edition

曲目:
Weber: Sonata C major op. 24

原文简介:
Carl Maria von Weber's four piano sonatas, all composed in the decade 1812-1822, are considered the pillars of his not very extensive piano oeuvre. In these sonatas, Weber, who was one of the most renowned pianists of his era and often also improvised in his concerts, fully satisfied the expectations of the audiences of his time. Brilliant playing technique combines here with catchy melodies. The technically very demanding Sonata op. 24 in C Major from 1812 brings together four different moods in its four movements. A gem is the E Major Trio of the Minuet, which seems to anticipate the poetry of Mendelssohn's “Midsummer Night's Dream”. Besides the first edition, Weber's autograph has been consulted for this Urtext edition. In her preface to this Urtext, editor Wiltrud Haug-Freienstein discusses interesting details concerning the sources, individual readings of the musical text and Weber's compositional style.