Invitation to the Dance D Flat Major Op. 65 Piano Solo 韦伯卡尔 舞曲 钢琴 亨乐版

除了歌剧《自由女神》之外，韦伯的降 D 大调作品 65《邀舞曲》也是他最著名的作品。65 是他最著名的作品。在 19 世纪，韦伯的这首热情洋溢的作品被认为是华尔兹的虚拟化身。韦伯在这首曲子中以协奏曲的形式表现了狂热的比德迈时代的华尔兹，让一个华尔兹跟随另一个华尔兹，时而轻轻摇摆，时而大步跺脚。这些乐章由诗意的引子和终曲构成。这部作品的Urtext版本以亲笔签名的清样为基础，同时也参考了初版本和抄写员的手稿。除了这些来源的信息外，人们还可以在编者的详细序言中了解到韦伯在首演时对引子和终曲的程序化诠释，从而生动地想象出这部作品的舞蹈表演"

作曲家: Carl Maria von Weber
校订者: Matthias S. Viertel
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
Alongside the opera “Der Freischütz”, Weber's “Invitation to the Dance” in D flat major op. 65 is his most famous work. In the 19th century, Weber's spirited piece was considered the virtual incarnation of the waltz. Weber here arranged the waltz frenzy of the dance-crazy Biedermeier era in a concertante form, letting one waltz follow the other, sometimes gently swaying, sometimes widly stomping. The movements are framed by a poetic introduction and a finale. The work is presented here in an Urtext edition based on the autograph fair copy, but also takes into account the first edition and a copyist's manuscript. Besides information concerning these sources, one can read in the editor's detailed preface about the programmatic interpretation that Weber is supposed to have given to the introduction and finale at the first performance, allowing one to vividly imagine a danced execution of the work.