Fantasy and Sonata C minor K475/457 Piano Solo 莫扎特 幻想曲 奏鸣曲 钢琴 亨乐版

C小调历来是戏剧、激情、悲怆和痛苦的调式，莫扎特著名的C小调奏鸣曲K.457也是如此。这首奏鸣曲是他在 1784 年 10 月创作的，但究竟是什么引发了这一令人难以置信的 "浪漫 "情感世界的爆发，我们不得而知。半年后，莫扎特创作了他的 C 小调幻想曲 K.475，这是一部在各方面都非同寻常的作品。1785 年，这两部 C 小调作品在一个版本中同时出版，这意味著作者有意违反常规，将它们连在一起。直到 1990 年，《C 小调幻想曲》和《C 小调奏鸣曲》的亲笔手稿都已遗失，G. Henle Verlag 在当时的费城重见天日之后，第一时间对文本进行了彻底修订。在许多情况下，必须对之前已知的音乐文本进行修改，因为到那时为止最重要的数据源--第一版以及奏鸣曲的授权献礼本--已被证明是不精确和错误的。即使是 "Urtext"，偶尔也会有改进"

作曲家: Wolfgang Amadeus Mozart
校订者: Ernst Herttrich
乐器: Piano
出版社: Henle Urtext Edition

曲目:
Mozart: Fantasy and Sonata c minor KV 475/457

原文简介:
C minor is traditionally the key of drama, passion, pathos, and pain, which also applies here in Mozart's famous C Minor Sonata K. 457. He wrote it in October 1784, though what might have triggered this incredible outpouring of a “romantic” world of feeling is unknown. Half a year later, Mozart composed his C Minor Fantasy K. 475, an extraordinary work in every regard. Both of these C minor works were published together in one edition in 1785, meaning that they were intentionally linked together by their author, counter to convention. Until 1990, the autograph manuscripts of the Fantasy and Sonata in C minor were lost, and G. Henle Verlag were the first to undertake a thorough revision of the texts immediately following their re-emergence in Philadephia at that time. In many instances, corrections had to be made to the musical text as previously known, because the most important sources up to that point – the first edition, as well as an authorized dedication copy of the sonata – proved to be imprecise and erroneous. Even an “Urtext” can occasionally be improved.