Duos for Piano and Violin 舒伯特 小提琴 钢琴 二重奏 亨乐版

舒伯特的三首小提琴与钢琴大钢琴奏鸣曲是他最重要的作品之一。在 1817 年夏的 A 大调奏鸣曲 D 574 中，他继续阐释了小提琴奏鸣曲（见 HN 6）中仍然简单的小提琴与钢琴的相互作用，并在此达到了他的最高造诣。在 1826 年末创作的 B 小调回旋曲 D 895 中，他将自己的创作强度提升到了真正的精湛境界。舒伯特当时的评论家已经开始称赞 "大胆的和声大师 "和 "炽热的幻想"。在一年后创作的《C大调幻想曲》（D 934）中，舒伯特以歌曲《Sei mir gegrüsst》（D 741）为题材，括进了安坦提诺与变奏曲，其中一些部分与谎言的主题巧妙地交织在一起"

作曲家: Franz Schubert
校订者: Ernst Herttrich
乐器: Piano; Violin
出版社: Henle Urtext Edition
原文简介:
Schubert's three grand pianos for violin and piano occupy pride of place amoung his foremost works. In the A major Sonata D 574 of Summer 1817, he continued to elaborate what was still a simple interplay of the violin and piano in the violin sonatinas (see HN 6) and reached his greatest mastery here. He increased the intensity of hia writing into genuine virtuosity in the B minor Rondo D 895 composed in late 1826. The critics of Schubert's day were already praising “the bold master of harmony” and “the fiery fantasy” of the piece. In the Fantasie in C Major D 934, written one year later, Schubert brackets an Andantino with Variations on the song “Sei mir gegrüsst” D 741 with sections that are tastefully interwoven with the theme of the lied.