Concertino Op. 45 for Horn and Piano Reduction 韦伯卡尔 小协奏曲 法国号(含钢琴伴奏) 亨乐版

圆号无疑是最 "浪漫 "的乐器，众所周知，圆号在韦伯的作品中占有重要地位。如果没有《自由之歌》和《奥伯龙》中的号角声，无论是表示向往还是狩猎的号角声，都是不可想象的。但韦伯不仅在歌剧中为圆号赋予了重要的独奏部分，他还创作了一首精湛的音乐会曲目，这首曲目至今仍被视为整个圆号曲目中最难演奏的曲目之一--尤其是因为独奏者必须在快板中演奏三部和弦（！）。这本 Henle Urtext 版本以亲笔签名、雕刻师副本（韦伯亲自校对）和初版为基础，为希望学习这首高效演奏曲的人提供了最好的音乐文本。序言中还首次提供了委托创作这首协奏曲的慕尼黑圆号演奏家塞巴斯蒂安-劳赫的详细履历"

作曲家: Carl Maria von Weber
校订者: Dominik Rahmer
乐器: French Horn; Piano Accompaniment
出版社: G. Henle Verlag
原文简介:
The horn is surely the most “romantic” of instruments, and it is a well-known fact that it plays a prominent role in Weber's oeuvre. Der Freischütz and Oberon would be unthinkable without their horn calls, whether to signify yearning or the clarion call of the hunt. But Weber did more than give the instrument important solo parts in his operas; he also wrote a virtuoso concert piece that to this day is regarded as one of the most difficult in the whole horn repertoire - not least because the soloist has to play three-part chords (!) in the cadenza. This Henle Urtext edition is based on the autograph, the engraver's copy (checked by Weber himself) and the first edition, and so offers the best possible musical text for those wishing to learn this highly effective virtuoso piece. The Preface also for the first time provides biographical details of Sebastian Rauch, the Munich horn player who commissioned this Concertino.