Cantatas Study Score 贝多芬 清唱剧 亨乐版

今天，贝多芬的大合唱无疑是他鲜为人知的作品之一，但在当时，作为社会和政治场合的典型附带作品，贝多芬的大合唱对作曲家来说并非无足轻重。尽管两首西泽大合唱 WoO 87 和 88 于 1790 年创作时贝多芬还在波恩，但在作曲家有生之年却一直未被演奏过--直到一个世纪后，贝多芬的学者们才重新发现这两首大合唱，并对其深厚的感情赞叹不已。相比之下，为 1814 年战争结束后的国家典礼而创作的大合唱《光荣时刻》在维也纳首演时受到了公众的热烈欢迎，其中的赞美诗《我是欧洲，不再是一座城市》在今天也再次成为政治话题。这个实用的研究版提供了贝多芬全集的音乐文本，并辅以贝多芬学者恩斯特-赫特里希（Ernst Herttrich）的精彩序言--也许这也是一个发现未知贝多芬的机会！

作曲家: Ludwig van Beethoven
校订者: Ernst Herttrich
乐器: Chorus; Orchestra
出版社: Henle Urtext Edition
原文简介:
Today, Beethoven's cantatas assuredly number among his lesser known compositions, but in their day were not insignificant for the composer as typical incidental works for social and political occasions. Though written in 1790 while Beethoven was still in Bonn, the two Kaiser cantatas, WoO 87 and 88, nevertheless remained unperformed during the composer's lifetime - not until a century later did Beethoven scholars rediscover them and marvel at their depth of feeling. In contrast, the cantata “The Glorious Moment,” written for a state ceremony upon the conclusion of the war in 1814, enjoyed a premiere in Vienna that was enthusiastically received by the public - and with its hymn “I Am Europe, No More a City” by all means achieves political topicality again today. This practical study edition offers the musical text of the Beethoven Complete Edition, supplemented by an excellent preface from Beethoven scholar Ernst Herttrich - perhaps an opportunity to discover unknown Beethoven as well!