Beethoven: At the Piano 9 Well-Known Original Pieces in Progressive Order 贝多芬 钢琴 小品 钢琴 亨乐版

汉斯-冯-比洛认为，贝多芬的 32 首钢琴奏鸣曲是音乐的 "新约"。我们的选曲并不那么庄重，因为我们也借此机会展示了作曲家更 "世俗 "的一面，包括舞曲、巴格泰勒舞曲、不寻常的性格曲 "Lustig und traurig"（"快乐与悲伤"），当然还有坚不可摧的 "Für Elise"（《Für Elise》）。与我们的 "在钢琴上 "系列一样，所有乐曲都是从简单到中等难度的渐进式编排。您也不必对贝多芬的钢琴奏鸣曲心存敬畏：极具古典风格的 G 大调奏鸣曲（本质上是一首奏鸣曲）是贝多芬奏鸣曲多面世界的理想入门曲目。与此相反，我们还展示了 "钢琴诗人 "贝多芬的《升 C 小调 "月光 "奏鸣曲》第一乐章，以及《降 A 大调奏鸣曲》中的《葬礼进行曲》--这些富有远见卓识的创作已经远远地指向了浪漫主义的世界

作曲家: Ludwig van Beethoven
校订者: Sylvia Hewig-Tröscher
乐器: Piano
出版社: Henle Urtext Edition
原文简介:
Beethoven's 32 piano sonatas are the “New Testament” of music, according to Hans von Bülow. Our selection here does not take things quite so solemnly, because we have also taken the opportunity to show the more “worldly” side of the composer, with dances, bagatelles, the unusual character piece “Lustig und traurig” (“Happy and sad”), and of course, the indestructable “Für Elise.” As usual in our series “At the Piano,” all the pieces are arranged progressively from easy to medium level of difficulty. And you do not have to be in awe of Beethoven's piano sonatas either: the highly Classical sonata in G major (essentially a sonatina) offers an ideal introduction to the many-facetted world of Beethoven's sonatas. In contrast to this, we also show Beethoven the “poet at the piano,” with the first movement of his “Moonlight” Sonata in C sharp minor, along with the funeral march from the Sonata in A-flat major – visionary creations that already point far ahead into the world of Romanticism.

Contents: Lustig-Traurig, WoO 54 • Six Ecossaises, WoO 83 • Bagatelle in A minor, WoO 59 “Für Elise” • Piano Sonata No. 20 in G Major, Op. 49, No. 2 • Adagio sostenuto from Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2 “Moonlight” • Marcia Funèbre sulla morte d'un Eroe from Piano Sonata No. 12 in A-flat Major, Op. 26 • Piano Sonata No. 9 in E Major, Op. 14, No. 1 • Nine Variations on“Quant' è più bello” from La Molinara by Giovanni Paisiello, WoO 69 • Bagatelle in G Major, Op. 126, No. 1 • Bagatelle in G Major, Op. 126, No. 5