La Lune Dans L'eau 长笛

"NT22010--索菲-拉卡泽： 1993 年，作曲家索菲-拉卡泽（Sophie Lacaze）选择了长笛的半透明音色来探索元音的神秘起源及其与兰波诗歌《Voyelles》（NT 14 451 Z）中色彩的联系。作曲家对这一古老乐器的痴迷从未停止过，而她与皮埃尔-伊夫-阿尔托的邂逅则进一步推动了她的创作，她将 Les quatre éléments 和 Het Lam Gods II 献给了阿尔托。现在，索菲-拉卡泽为年轻的故事长笛演奏家创作了《La Lune dans Leau》，这是一首最初为萨克斯管学生创作的学习小品，出版于 Opensax 作品集（AL 30 701）。这首为三年级以上学生创作的乐曲将音乐与诗歌巧妙地交融在一起，音乐家朗读了上田长寿（1852-1932 年）的一首俳句： 虽然碎成千片/它始终存在/水上的月亮。这本曲集采用了多种技巧和演奏方法，是长笛表现力的一个名副其实的万花筒，但这种丰富的表现力从未掩盖一种独特艺术的清澈：简约的艺术""

作曲家: Sophie Lacaze
乐器: Flute
出版社: Alphonse Leduc
原文简介:
“NT 22 010 - Sophie Lacaze: La Lune dans lEau, for young storytelling flautist In 1993, composer Sophie Lacaze chose the translucent timbre of the flute to explore the mysterious origins of vowels and their association with colours in Rimbauds poem Voyelles (NT 14 451 Z). The composers fascination with this age-old instrument has never ceased to grow, and was further impelled by her encounter with Pierre-Yves Artaud, to whom she dedicated Les quatre éléments and Het Lam Gods II. Sophie Lacaze has now produced a score for young storytelling flautist in La Lune dans Leau, a study miniature initially written for saxophone students and published in the Opensax collection (AL 30 701). Written for Year 3 and up, the piece delicately interlaces music and poetry, with the musician pronouncing aloud a haiku by Ueda Chôshû (1852-1932): Though in a thousand shards / It is always there / The moon on water. With a wide variety of techniques and performance indications, this volume is a veritable kaleidoscope of the flutes powers of expression, though this profusion never clouds the limpidity of a unique art: the art of simplicity.”