Japanische Nebellandschaft 舒尔次沃夫冈－安德雷阿斯 长笛独奏

受禅宗的影响，日本的绘画往往是缥缈的风景画，极具诗意之美。与此同时，它们也表明，根据佛教教义，事物并不真正存在。它们是由 "空 "或 "虚无 "构成的，在其中它们又会消失，因此它们是一个过程的一部分，没有确定的身份。舒尔茨的这首小品可以理解为对这些佛教教义的音乐体悟。在这首乐曲中，具体而突出的人物从模糊的、相当无形的、因此几乎是模糊的线条中出现，然后又消失。两个短小的主题在高潮处交织在一起，却又在虚无缥缈的景色中一次又一次地消失"

作曲家: Schultz, Wolfgang-Andreas
乐器: flute
出版社: Simrock / Benjamin
原文简介:
Influenced by Zen Buddhism, Japanese paintings often are paintings of misty landscapes which are of great poetic beauty. At the same time, they show that things, according to Buddhist teachings, do not really exist. They are made from 'emptiness' or 'nothingness' in which they disappear again, thus being part of a process and without a firm identity. Schultz' short piece can be understood as a musical realization of these Buddhist teachings. In this piece, specific and prominent figures appear from vague, quite shapeless and therefore almost blurred lines and disappear again. The two short themes are intertwined at the point of culmination, yet disappear again and again in the misty landscape.